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Magin_Edward-thesis

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150<br />

(222) ma min tu vîya-y-Ø-î bu milk u mal-î? (AN5:33)<br />

INTRG 1O 2D love:PST-PRF-be:PST-3SG for land and belongings-OBL.M<br />

‘Did I love you because of land and belongings (money)?’<br />

5.4.1.1.4 Object-Subject-Verb<br />

In a number of instances the object preceded the subject. In line 6 of Bila..Bila,<br />

‘OK..OK,’ Sindî put the object, rundka, ‘tears,’ before the subject, ez, 1D.<br />

(223) rundk-a ez lê di-werîn-im (BS3:6)<br />

tear-OBL.PL 1D for.him IPFV-shed.PRS-1SG<br />

‘I am shedding tears for him.’<br />

In line 45 of Bîrewerîa Barzanî Yê Nemir, ‘Memories of Immortal Barzanî,’ shown in<br />

(224), Sindî positioned the object, suz u peyman, ‘promises and pacts,’ before the<br />

subject, em, 1OP. In this closing statement, Sindî is bringing to the forefront the Kurdish<br />

response for all that Mustafa Barzanî has done for his people.<br />

(224) suz u peyman em di-din te gel te (BS1:45)<br />

Promise and pact 1DP IPFV-give.PRS-3PL 2O with you<br />

da u ala we da 87<br />

with and flag your with<br />

‘We are giving you promises and pacts that we will be with you and your flag.’<br />

In Bêla, ‘House,’ also by Sindî, the normal word order for line 11, shown in<br />

(225), is me banê bêla gêra. However, Sindî chose to put the object, banê bêlayê, ‘roof of<br />

the house,’ at the beginning of the sentence, before the subject me, 1OP. Bêla is a prose<br />

poem and, as mentioned, it only has rhyme in the final four lines. Hence, Sindî’s reason<br />

for using uncommon constituent order here is something other than rhyme.<br />

(225) ban-ê bêla-yê me gêra-Ø u .. u gêra-Ø (BS6:11)<br />

Roof-EZ.M house-SRM 1OP roll.PST-3SG and and roll.PST-3SG<br />

‘We rolled and rolled the roof of the house.’<br />

The consultant who provided me with the normal word order for this line did not<br />

include the Specific Reference Marker (SRM)―yê on bêlayê. A thorough treatise on<br />

87 My consultant noted that this da is unnecessary but by no means awkward. Sindî used the second da, a<br />

postposition that is part of the circumposition for rhyming purposes.

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