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Magin_Edward-thesis

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131<br />

multisyllable A' and A'' rhymes. The single syllable B rhymes rhyme with the<br />

multisyllable B' lines.<br />

In his poem Gutgutik, ‘Rumors,’ Şaban Silêman, a younger author whose earliest<br />

poems are dated in the year 2000, also used a varied rhyme scheme without holding to<br />

any particular verse form or syllable count. Below is a portion from the poem. Again, for<br />

ease of viewing, I have italicized the rhymed syllables and provided letters designating<br />

the rhymes. Note that rhymes C and F exhibit multisyllabic rhyming sequence, as<br />

discussed in § 5.3.3.1.3.<br />

(180) hindek yê ji keyfa pê firî A (SS1:6-21)<br />

hindek yê ji qehra pê mirî<br />

A<br />

çîçik dara siharîya<br />

B<br />

kurtîya duhî bu êk û dû vedguhêzin C<br />

gulêt baxça êvarîya<br />

B<br />

rwîdanêt nwî yêt rojane bu êk dibêjin C<br />

lê tinê gutgutkeke û pistpisteke<br />

D<br />

nizanim direwe yan rastîyeke<br />

D<br />

hind dibêjin ...............<br />

C<br />

û dîtina êkê ji evîna min<br />

E<br />

tu bûye agir û gurî<br />

F<br />

roja paştir tu bibûye rejî û xwelî<br />

F<br />

hind dibêjin<br />

C<br />

jimêjwere mêrga şaşa têlefona min E<br />

ji mesicêt te buharbu<br />

G<br />

maç û dila mil bi mil rêz û qentarbu G<br />

5.3.3.2 End rhyme in final lines of a prose poem<br />

In a prose poem (also called “free verse”) by Sindî the final rhymes, shown in<br />

example (181), seem to be intentional. The poem is a reflection about two very different<br />

times, the present, not being at all what the poet would have desired for his people, and<br />

the past, a time when he was filled with hope. The rhymed ending may serve to<br />

aesthetically reinforce the contrast between the times and point the reader/hearer to the<br />

past when the hope of the people was greater—a time when rhyme and line length, and<br />

perhaps meter, in poetry were more customary.

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