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Magin_Edward-thesis

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111<br />

Tercîa band means when you have to repeat something and to fasten the<br />

last word to complete the whole line (Sindî 2011).<br />

Sindî’s Nehat, ‘It Did Not Come,’ consists of 16 lines all ending with the sound<br />

sequence za min nehat. The following are the first six lines of the poem.<br />

(139) Dîl u êxsîrî ji gelî bun―ser feraza min nehat. (BS5:1-6)<br />

Mam di’îşiqa wê şepalê―sil u zîza min nehat.<br />

Çav dinêrim ez bibînim―xuş ‘ezîza min nehat.<br />

Guh min da awaz u lavçan―dengê saza min nehat.<br />

Ez ji ke’bê ra mirîdim―hec u ferza min nehat.<br />

Cejne u sunete aştî―pir ‘aciza min nehat.<br />

This is the only tercîa band in Badirxan Sindî’s book and I am unaware of any Kurdish<br />

poets other than Ahmed Cezîrî and Ahmed Xanî (Shakely 1996:337) who have written in<br />

this form. Two popular forms with which tercîa band may be compared are the French<br />

villanelle and the American terzanelle. Like the tercîa band form, these forms utilize<br />

refrains. For details on these forms, see Turco (2000: 273-5, 282-5).<br />

5.3.1.4 Innovative form for rhymed verse<br />

Cegerxwîn’s poem Silav Li Sifra Hazire, ‘Salute the Feast Is Ready,’ discussed<br />

above as example (136), may very well be considered an unorthodox verse form, with its<br />

many lines of rhyme-free endings. However, one of the verse poems in the corpus is even<br />

more unusual and may best be considered a sonnet. Sindî’s Gerîanek Di Kurdistanê Da,<br />

‘A Walk Through Kurdistan,’ is made up of five stanzas, each having 14 lines with a<br />

rhyme scheme that can generally be described as AABBCCDDEEFFFZ. The lines rhyme<br />

by couplet through to the ninth and tenth lines. Then there is a rhymed triplet composed<br />

of the eleventh, twelfth, and thirteenth lines. Finally, the fourteenth lines of each stanza<br />

rhyme with each other, with the exception of line 14 of the third stanza which rhymes<br />

with its own B lines.<br />

While this generally sums up the rhyme scheme, the denser rhyme schemes<br />

actually used in the poem are better seen by way of Table 18 which presents all five<br />

stanzas and illustrates the interplay of rhymes across the couplet boundaries. I have

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