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Magin_Edward-thesis

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140<br />

to the subject via the ezafe yê on hestî. However, Nalbend put min in a prepositional<br />

phrase, li min, ‘in me,’ and the line remains understandable to the reader. I say more on<br />

this aspect of using a prepositional phrase in lieu of a personal pronoun attached via the<br />

ezafe particle in § 5.4.1.1.12.<br />

(199) li min ḧelîa-n leş u hestî (AN1:45-47)<br />

in 1O melt.PST-3PL flesh and bone<br />

‘My flesh and bone melted.’<br />

me gut mar=e ez-ê geztî<br />

1OP say.PST-3SG snake=COP.PRS.3SG 1D-EZ.M bite.PST.PTCP<br />

‘We thought it’s a snake that has bitten me.’<br />

bi remz-a bazin-êt dest-î<br />

by signal-EZ.F bracelet-EZ.PL hand-OBL.M<br />

‘By means of the signal of the hand bracelets.’<br />

Nalbend also utilizes VS order in a similar way in his poem Xoşe Wekî Cenetê,<br />

ˈIt’s Wonderful Like Heaven.’ In line 54, he put the compound subject cerg u dil, ‘liver<br />

and heart,’ at the end of the line in order to rhyme dil with the words mil, shoulder,’ and<br />

sil, ‘angry,’ in lines 53 and 55, shown here in (200).<br />

(200) zend u til u bask u mil (AN2:53-55)<br />

forearm and finger and arm and shoulder<br />

‘Forearm and finger and arm and shoulder’<br />

sutî li min cerg u dil<br />

burn.PST.PTCP in 1O liver and heart<br />

‘The liver and heart in me are burnt.’<br />

Alternative translation: ‘My liver and heart are burnt.’<br />

av rîl wan şêr-e sil<br />

water rîl 3OP lions angry<br />

‘Water rîl 75 them the lion is angry.’<br />

In line 64 of the same poem, the subject, pilingê nehîn, ‘courageous tiger,’ comes after<br />

the verb, hatî, ‘has come.’ Nehîn, ‘courageous,’ rhymes with the rest of the final lines in<br />

the each quatrain (not shown). All end in -în.<br />

75 Meaning unknown.

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