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Magin_Edward-thesis

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41<br />

the classical poets, they wrote more predominantly in Kurdish. Still, in Nalbend’s poetry<br />

there are a good number of Arabic words, which the author may have used in lieu of<br />

Kurdish words for reasons of syllable count or meter. The next period in Northern<br />

Kurdish poetry is called the New period. According to Professor Mohamed Bakir of<br />

Dohuk University, the poetry of Abdulrahman Muzirî (b. 1946), who I was fortunate to<br />

hear at a poetry festival in Dohuk during the autumn of 2010, is representative of this<br />

style of poetry. My understanding is that there are two elements that mark this period.<br />

The first is that poets were moved to write even more exclusively in Kurdish than the<br />

poets of the Neo-classical period. The second feature of this time is the beginning of<br />

poetry in free verse. One important aspect of poetry that does seem to have carried over<br />

from the Neo-classical period to the New period is the themes which poets wrote about.<br />

From the information I have gathered, Cegerxwîn (1903-1984), Badirxan Sindî (b. 1943),<br />

and Mu’eyed Teyb (b. 1957) would be considered poets of this period, though perhaps<br />

some more recent poetry of Sindî and Teyb might be considered as modern. This brings<br />

us to the Modern period, of which Mihsin Quçan (b. 1954) is a representative example.<br />

The poetry of this period, which began in the 1980s, exhibits freedom from traditional<br />

themes and is composed only of free verse form. 22<br />

3.1.1 Neo-classical period<br />

Ahmed Nalbend was born in 1891 and lived in the town of Barmanê. He did not<br />

aspire to learn his father’s blacksmith trade, but rather chose religious studies at the<br />

mosque where he learned about poetry. Like many of the approximately twenty poets of<br />

his time, he was influenced by Ahmed Cezîrî and Ahmed Xanî, two renowned poets from<br />

centuries before him. These older poets wrote in the classical style, using form, meter,<br />

and rhythm and incorporated words from other languages in their poetry—specifically<br />

Farsi, Arabic and Turkish. Nalbend emulated the classical style of these poets but<br />

22 The information on the periods of Northern Kurdish poetry was obtained via personal correspondence<br />

with Prof. Mohamed Bakir of Dohuk University.

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