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Magin_Edward-thesis

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119<br />

of the prose poems in the corpus also exhibit this feature. These are Mu’eyed Teyb’s<br />

Firekê Baî , ‘A Sip of Wind,’ and Şaban Silêman’s Gutgutik, ‘Rumors.’<br />

5.3.3.1.1 True rhyme<br />

The most basic rhyme is called true rhyme, which according to Turco (2000:49)<br />

‏-׳o‏)‏ “has to do with identical sound, in two or more words, of an accented vowel sound<br />

‏(׳ow‏-׳oa together with all sounds following that vowel (o׳ne-oa׳n-ow׳n), while the<br />

consonant sounds immediately preceding the vowel differ in each word (bo׳ne-loa׳ngrow׳n).”<br />

In the following lines from Nalbend’s Xoşe Wekî Cenetê, ˈIt’s Wonderful Like<br />

Heaven,’ the first, second, and third lines of each stanza exhibit true rhyme in each line’s<br />

final syllable. For example, in lines 9 through 11, shown in (155), the second syllables of<br />

the words bihar and hizar rhyme with bar. The fourth lines of all the stanzas in this poem<br />

rhyme with one another, exhibiting end rhyme focused on a single syllable. In lines 13,<br />

17 and 20, also shown, şîn rhymes with the final syllables of nazenîn and şirîn.<br />

(155) tazeye lê xoş bihar (AN2:9-20)<br />

aẍ u rez u daru bar<br />

cinsê kulîlka hizar<br />

gav u dema sûr u şîn<br />

zwîr u girî bin tiraş<br />

yaze letîf xuş u baş<br />

libsê çîyayî qumaş<br />

dil vekere nazenîn<br />

kêrî şîv u nihal<br />

sergir u rêhel wirwal<br />

kehnî avin zelal<br />

sar u sivik tam şirîn<br />

True end rhymes focused on a single syllable were prominent in the following texts:<br />

CX1, CX3, BS7, MT3, AN1, AN2, AN3, AN4, BS1, BS2, BS4 and SS1.<br />

5.3.3.1.2 Multisyllabic rhyme<br />

Disyllabic true end rhyme was the most common multisyllabic rhyme in the<br />

corpus. Such a rhyme may occur between individual words or may cross word

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