Magin_Edward-thesis

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280 bu maçeka ser pê. just to have a swift kiss. Te şer gel turîê dikir You were quarrelling with the darkness xu dimin werdikir u you were throwing youself at me and şevê sema liber maçên bilez dikir…..? 15 the night was dancing with (our) swift kisses. * * * Eve çend buhar burîn u Many springtimes have gone and ez henasên te helid kêşim. I breathe your respiration. Ji xerîbîê neşêm êdî ji te dur kevim u Due to (my) longing for you, I still cannot go (fall) far from you and tu hindê nêzîkî. you are so close to me. Hindî sîtafka min. 20 You are my shadow. bibure, neşêm sîtafkê bidesta bikirim. Sorry, I cannot touch the shadow. * * * Ez xewnekim di fincana qehwa te da; I am a dream in your coffee cup; tu şehîdê barana eşqêî. You are the martyr of the passionate rain. Ruha min digel xu bibe u Take my soul with you and
281 ez u tu dê digurekî da nivîn u 25 you and I will sleep in one grave and da ji te dur nekevim…? so I don’t stray far from you. * * * Payîzan te naz dikirin During the autumns were making you delicate (to be spoiled) Nazên te digel belgan diwerin. Your childlike ways were falling with the leaves. Min jî baẍçek ji şihrên bê hudeyî dane baî u I, too, threw a garden of absurd poems to the wind and tu dibuye zarukekê şuîm u 30 you were turning into a restless child and şer digel baî dikir.. wrestling with the air.. Tu neşêî hemî belga vedeî u You cannot collect all the leaves and şihirên min vêdeî… you cannot gather my poems… Tu nabînî….? Don’t you see? * * * Demê tu li stivankê gerdena min dinêrî, 35 When you look at my necklace, ji çavên te ditrsim. I am afraid of your eyes. Ne ku maçekê ji min bidizî u not that you will steal a kiss from me and dujeha xerîbîa xu bikeye sêva beheştê u
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Graduate Institute of Applied Lingu
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© 2012 Edward Harry Magin Jr. All
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THESIS DUPLICATION RELEASE I hereby
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DEDICATION to my Naphtili, who has
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Table of Contents Table of Contents
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4.4.3.5 Irregular verbs ...........
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6.2 Shushi’s version of Allah ...
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List of Figures Figure 1. Meta-lite
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Prefixes, infixes, suffixes, partic
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1. Introduction 1.1 General The pur
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3 1.3 The people and the language N
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2. Literature review 2.1 History of
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7 2.1.1 Before 1920 The division of
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9 The most revered poet among Kurds
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11 (Shakely 2002). According to Mac
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13 He was a severe social critic, r
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15 Kurdish intellectuals in Turkey
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17 The publication of magazines in
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19 2.2 On translating poetry The op
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21 literature in general, can provi
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23 his audience and their cognitive
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25 trying to grasp that meaning we
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27 INTERPRETATION POETRY Critical e
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29 there was no epic meter in the l
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31 while it may be difficult to dis
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33 No version of poetry, however fa
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35 Pound also produced poems that a
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37 Can it be said that the possibil
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39 Accuracy can include: 1. represe
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41 the classical poets, they wrote
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43 two famous Kurdish poets, Ahmed
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45 it was winter and they had no fo
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47 In Kurdistan, in winter, the nig
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49 there were some expectations of
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51 the only Northern Kurdish term t
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53 3.7 Quçan on imagery in his poe
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55 some similarities to the system
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57 f, F [f] like ‘f’ in ‘find
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59 4.2.4 Glides A glide is often ad
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61 (4) min guh li te ne bî. (Şir
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63 root” (Whaley 1997:128). The f
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65 where the verb agrees with the s
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67 Gender can only be learned throu
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69 specific marker, -an or -a, depe
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71 particle, such as in relativizat
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73 The discussion above summarizes
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75 Table 6. Demonstratives. Demonst
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77 NP = (DEM)(NUM) head-noun ( [ EZ
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79 Table 7. Verb suffixes Non-past
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81 attached to the adjective cuan i
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83 (59) ew dixtur bî-Ø 3D doctor
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85 (64) pênc zarok-ên wî hene (T
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87 the nonverbal element çê and t
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89 script is the standardized ortho
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91 Imperatives and wishes may seem
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93 (94) ez di-şê-m b-ê-m 1D IPFV
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95 where we would expect to see it.
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97 absolutive sentences, it must ma
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99 Table 15. Past perfect tense con
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101 adpositional phrases have a spe
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5. Analysis of Northern Kurdish poe
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105 and free variation, which conce
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107 free from rhyming and the secon
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109 Table 17. Poems using çuarkî
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111 Tercîa band means when you hav
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113 5.3.2 Line syllable count The s
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115 (140) xwozîya kesê guh daye m
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117 of Immortal Barzanî,’ the pr
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119 of the prose poems in the corpu
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121 sequences are different and the
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123 (161) şînyî u tazî ji gelî
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125 Table 21. Orthographic consonan
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127 analysts have used to describe
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129 are three lines and two of the
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131 multisyllable A' and A'' rhymes
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133 ceger ker with liber anber. The
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135 (188) em li ber şewqa hîvîan
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137 Hence, “the immediate effect
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139 evro vala=ye today vacant=COP.P
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141 (201) hatî piling-ê nehîn (A
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143 baẍ u rez u darubar garden an
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145 tu hêye ve 2D exist.PRS.2SG ag
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147 (215) dê gurîk-im vî can-î
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149 verb and recipient, bidey me. I
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151 SRMs is outside the scope of th
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153 subject, hevalan, is actually a
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155 (236) tazî ya Qazî jibîr ne-
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157 baẍ u rez u darubar garden an
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159 u hestîê min, ‘body and bon
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161 generally refer to the omission
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163 are in parentheses. For the con
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165 ‘because of him.’ If the pr
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167 instances ellipsis of object pr
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169 And in (268), there is no ezafe
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171 (274) agr-ek boş li ser helkir
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173 sentence. Hence, the final noun
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175 5.4.1.3.1 Use of alternate word
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177 with subdialect differences. Wh
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179 (296) kanê gundî (BS6:17-19)
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181 Kurds from an area other than S
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183 (304) erê sîlav çima evro me
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185 Relativizers can often be left
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187 Şivan her roj sêvekê xwit.
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189 5.4.1.4.1 Repetition and repeti
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191 (321) geh şax=e geh westan=e e
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193 (323) dergeh-ê jîn u hîvî-a
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195 (326) şêr ew=in u sef dirrî-
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197 (335) ev-e fexr-a me hemy-a bû
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199 before the subject nêrgiz, ‘
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201 (341) mililet-ê Kurd pir wefa=
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203 (344) te di-vêt ku bi-de-m te
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205 The chiasmus in Cegerxwîn’s
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207 is not a hunter.’ 144 5.5 Sum
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209 As I see it, verse poetry depen
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211 ‘break,’ as Shushi describe
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213 In the second line, we had mult
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215 use to describe a situation whe
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217 God rest-OBL.M in.midst.of mise
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219 create an independent clause, j
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221 instead of using a word for ‘
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223 poetic language: “What is pos
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225 AN1 by Ahmed Nalbend translated
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227 Siḧarê xîv bi bûn sor gul.
Page 255 and 256: 229 Memik sor bûn wekî sêva. The
Page 257 and 258: 231 AN2 by Ahmed Nalbend translated
Page 259 and 260: 233 Kurds are dear and happy Dîn p
Page 261 and 262: 235 Sutî li min cerg u dil My live
Page 263 and 264: 237 Kê baş nevêt ew rûyê spî
Page 267 and 268: 241 Hell is burning (for him) and f
Page 271 and 272: 245 We want you to give us pressure
Page 273 and 274: 247 BS1 by Badirxan Sindî translat
Page 275 and 276: 249 Where’s the knight of the ste
Page 279 and 280: 253 “Şurşivanê Kurdanim.”
Page 281 and 282: 255 “Whose lover and euphoric one
Page 287 and 288: 261 Çûn ser sêdar u qinaran hewa
Page 293 and 294: 267 They said, Yes .. we saw it. Ji
Page 297 and 298: 271 He was the disciple of the love
Page 299 and 300: 273 At times it is the king, at tim
Page 301 and 302: 275 Rûniştîe li birca belek He r
Page 303 and 304: 277 CX3 by Cegerxwîn translated by
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Page 309 and 310: Note: The dots and question marks i
Page 311 and 312: 285 HS by Hisin Silêvanî translat
Page 313 and 314: 287 When she fills her empty shotgl
Page 315 and 316: 289 those who are exploited. Jê di
Page 317 and 318: 291 gîfankên bajêrvanîê, 40 th
Page 319 and 320: 293 In the long roads of the city q
Page 321 and 322: 295 Yan ji ber rengê goma xwîna d
Page 323 and 324: 297 name of all and everybody. Ji d
Page 325 and 326: 299 hitting his head against a wall
Page 327 and 328: 301 MQ2 by Mihsin Quçan translated
Page 329 and 330: 303 li derazînka on the doorsteps
Page 331 and 332: 305 MT1 by Mu’eyed Teyb translate
Page 333 and 334: 307 Bi qelem û defterên wan yarî
Page 335 and 336: 309 min serek girit 10 I took one s
Page 337 and 338: 311 ji dilbera dêm befir u xwîn o
Page 339 and 340: 313 Şev sêwî, tenha û belengaz.
Page 341 and 342: 315 SS1 by Şaban Silêman translat
Page 343 and 344: 317 We have become lost beyond the
Page 345 and 346: 319 SS2 by Şaban Silêman translat
Page 347 and 348: 321 Xatwîna min.. 25 My dear.. Li
Page 349 and 350: 323 The intention of love ewe― is
Page 351 and 352: 325 INTERVIEW WITH REŞÎD FINDÎ M
Page 353 and 354: 327 poetry that he wrote that deals
Page 355 and 356: 329 ‘necessary.’ Sometimes, lik
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331 contact with poets. Indeed, my
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333 EM: We talked about five differ
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335 EM: Thank you. Can you describe
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337 CVVC, and each one gives you a
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339 and free of qafîa. Because I c
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341 that time we respected women mo
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343 INTERVIEW WITH MIHSIN QUÇAN Th
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345 it was Kurdistan. But after a w
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347 EM: What are the other subjects
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349 Sadîq Şabak, if you can call
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351 INTERVIEW WITH MU’EYED TEYB T
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353 you can say, was more knowledge
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REFERENCES ADAMS, STEPHEN. 1997. Po
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357 HAIG, GEOFFREY. 2011. Linker, r
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359 MURRY, JOHN MIDDLETON. 1969. Pe
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361 ŞIRÎN. 2006. English-Kurmanji
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VITA Edward H. Magin Jr. did his un
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