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Magin_Edward-thesis

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201<br />

(341) mililet-ê Kurd pir wefa=ye sufy-ên dest-ên (BS1:17, 18)<br />

people-EZ.M Kurd so loyal=COP.PRS.3SG Sufi-EZ.PL hands-EZ.PL<br />

te=ne<br />

2O=COP.PRS.3PL<br />

‘Kurdish people are so loyal; they are the Sufis of your hands’<br />

ruh ji êş-an pir sema=ye 141 ‘aşiq u<br />

soul of pain-OBL.PL full dance=COP.PRS.3SG lover and<br />

mest 142 -ên te=ne<br />

stimulated.one-EZ.PL 2O=COP.PRS.3PL<br />

‘The pained soul is full of dancing; they are your lovers and stimulated ones<br />

(intoxicated with strong emotion).’<br />

The two lines previous to the example above, shown in (342), also exhibit a<br />

degree of grammatical parallelism. Both lines contain a four-part noun phrase that takes<br />

up the second half of each line. Each four-part noun phrase is made up of pairs of<br />

opposites. In line 15, the noun phrase consists of çep u rast u jor u jêr, ‘left and right and<br />

up and down,’ a description of the directions from which people came to grieve the loss<br />

of Mustafa Barzanî. The noun phrase in line 16 consists of a description of the people<br />

who were doing the grieving, kal u genc u jin u mêr, ‘old and adolescent and woman and<br />

man.’ The first halves of each line are also structurally parallel. Both lines begin with<br />

noun phrases consisting of two nouns connected by the conjunction u, ‘and.’ Line 15<br />

begins with şînyî u tazî, ‘mourning and condolence;’ line 16 begins with şev u roj, ‘night<br />

and day.’ Both of these are followed by a word meaning ‘people,’ xelkî and gelî (gelî<br />

happens to be in a prepositional phrase, ji gelî), as well as the copula bûn. Hence, the<br />

whole of line 16 is basically grammatically parallel with line 15.<br />

(342) şînyî u tazî ji gel-î bû-n çep u (BS1:15)<br />

mourning and condolence from people-OBL.M COP.PST-3PL left and<br />

rast u jor u jêr<br />

right and up and down<br />

‘There was mourning and condolence from people, from the left to right and up to<br />

down.’<br />

141 Sema here means ‘dance, dancing’ or ‘heaven, arch of heaven/sky’ (Omar 1992).<br />

142 Mest is also the word meaning ‘drunk, intoxicated with alcohol.’

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