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Magin_Edward-thesis

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122<br />

5.3.3.1.3 Multisyllabic rhyming sequence<br />

Some sequences of syllables exhibit what I am calling multisyllabic rhyming<br />

sequence. In such instances, more than one syllable is rhymed. True rhyme, as defined by<br />

Turco above, occurs when two or more onsets vary while everything after the onsets<br />

remains the same. In a multisyllabic rhyming sequence, more than one syllable in the<br />

rhymed lines has varying onsets. This is best understood by means of an example. The<br />

lines in (160), from Sindî’s Bîrewerîa Barzanî Yê Nemir, ‘Memories of Immortal<br />

Barzanî,’ exhibit a representative example of a multisyllabic rhyming sequence. The<br />

sounds entering the rhyming sequence are in italics. First, the penultimate syllables of ru<br />

and su rhyme according to Turco’s definition of true rhyme. The final syllables of the<br />

lines, jin and cin, also exhibit true rhyme. Potentially, the poet has carefully chosen these<br />

words here to capitalize on the phonetic similarity between the sounds j and c. Both<br />

consonants are voiced. One slight difference is that j is post-alveolar and c is palatal. The<br />

other difference is that j is a fricative and c is an affricate. (Refer to § 5.3.3.1.5 for<br />

information on articulatory features.)<br />

(160) ayeta Kursî ji berkir me―ciḧêl u pîr u jin (BS1:9, 10)<br />

me du’a bu şev u rujan ji mezar u Înis u cin<br />

Another multisyllabic rhyming sequence in the same poem consists of gelî bûn<br />

and girî bun, shown in example (161). The vowels e and i that follow g are relatively<br />

close to one another, exhibiting vowel feature rhyme, which I discuss in § 5.3.3.1.5.2. In<br />

the following syllables, lî and rî, also rhyme. The consonantal onsets l and r are similar in<br />

that both are voiced and alveolar. The only difference is that the first is a lateral<br />

approximate while the second is a flap. This example is a more complex multisyllabic<br />

rhyming sequence. While the consonantal onsets in these and the following examples do<br />

not qualify as consonant feature rhyme (see § 5.3.3.1.5.1), as the sound similarities are the<br />

onsets―not the codas―the word choices do seem intentional on part of the poet,<br />

exhibiting poetic artistry. Also italizicized are the final four syllables in each line. These<br />

too demonstrate multisyllabic rhyming sequence where each syllable rhymes or comes<br />

close to rhyming.

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