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Relaciones internacionales.indb - HOMINES

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IAN ANTHONY BETHELL<br />

What we have here, in other words, in texts that claim historical and<br />

scientific accuracy, is the elaboration and corroboration of ethnic stereotypes,<br />

more powerful for being embedded in contexts which convey a<br />

certain amount of historical and ethnographic information [...] As always,<br />

the stereotype operates principally through a judicious combination of<br />

adjectives which establish characteristics as eternal verities immune from<br />

the irrelevancies of historical moment: “ferocious”, “warlike”, “hostile”,<br />

“truculent and vindictive”. 24<br />

Hulme observes that these characteristics may have been appropriate in<br />

one historical moment, but have since become blanket terms that disallow<br />

and disavow any escape from within their enclosure. The context here is a<br />

world in which partial characteristics are applied to entire realities. Words<br />

that would fit into the particular context of Hulme’s and Bush’s arguments<br />

would be ‘passive’, ‘hardworking’, ‘immoral’, ‘lascivious’, ‘domineering’,<br />

among others, having replaced words such as ‘warlike’ and ‘hostile’. 25 The<br />

fact that the black woman is forced into hard labour is never considered.<br />

She works like a man, or better, and that is all that is seen from a slave<br />

master’s perspective. This is the only time she is visible to the master’s<br />

eyes, and in this way a partial description of her life is made to appear as<br />

the whole. As Zora Neale Hurston puts it: ‘Women get no bonus just for<br />

being female down there. She can do the same labors as a man or a mule<br />

and nobody thinks anything about it’. 26<br />

Understandably then, many slave masters believed that they were in<br />

no way misrepresenting the slaves as that part of their lives was all they<br />

could see, and moreover, slaves were not people—they were chattel. The<br />

black woman had no alternative than to allow for the perpetuation of<br />

those terms. She was often positioned by planters and abolitionists as the<br />

‘domineering matriarch’ who was hard-working and fought to keep her<br />

family together. 27<br />

Arguably, Joan Dayan’s assertion that ‘slavery never ended’ adds credence<br />

to the difficulty of deconstructing this enclosure as it highlights<br />

that the only difference now is that the word ‘slavery’ has been abolished,<br />

which does not signal that the attitudes, prejudices and realities that went<br />

along with it have disappeared. Therefore, the depiction of the slave woman’s<br />

character as a lascivious, hard-working, domineering ‘mammy’ is<br />

24<br />

Hulme (1986), op. cit, p. 49. See: Burton, op. cit., p. 4-5.<br />

25<br />

Ibid.<br />

26<br />

Zora Neale Hurston, Tell My Horse: Voodoo and Life in Haiti and Jamaica (Philadelphia,<br />

J. B. Lippincott Inc. 1938), p. 59. Hurston’s observations are taken<br />

out of their time but they articulate the same trend in representation as the<br />

slave master’s image of the enslaved woman.<br />

27<br />

Bush (1990), op. cit., p. 5.<br />

• <strong>HOMINES</strong> • Vol. XX, Núm. x - xxxxx de 2005 299

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