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e done to prevent negative processes from worsening or increasing in effect. For the naturalist<br />

<strong>and</strong> ethnologist, New Zeal<strong>and</strong> therefore became the perfect model for studying the effects of rapid<br />

colonisation on both the environment <strong>and</strong> the Maori. This resulted in the dominant interests of<br />

many nineteenth-century German <strong>and</strong> Austrian visitors to carefully study the indigenous fauna,<br />

flora <strong>and</strong> population. In possibly the most significant Germanic contribution to the perception of<br />

New Zeal<strong>and</strong>, they exhibited a central fascination in not only ornithology <strong>and</strong> botany, but also the<br />

state of the environment, with specific emphasis given to educating the public in conservation <strong>and</strong><br />

preservation practices <strong>and</strong> in their need to act or change harmful actions before it became too late.<br />

In fact, from the middle decades of the colonising era, this latter focus had grown steadily in<br />

importance to the point where certain observers were more concerned about New Zeal<strong>and</strong>’s<br />

environment than most of the public <strong>and</strong> officials combined. Furthermore, as both natural <strong>and</strong><br />

indigenous worlds faced extinction from European invaders <strong>and</strong> immigrants, rare New Zeal<strong>and</strong><br />

birds <strong>and</strong> Maori artefacts in particular became much sought after by European museums. As a<br />

result, most observers were generally connected to a German or Austrian museum as director,<br />

curator or collector, <strong>and</strong> possessed a strong desire to record relevant ethnological information <strong>and</strong><br />

acquire or ‘save’ rare native treasures <strong>and</strong> specimens due to the underlying belief that they were<br />

collecting permanent records of New Zeal<strong>and</strong>’s fast disappearing wildlife <strong>and</strong> indigenous culture,<br />

which could remain in European museums as a showcase to those species <strong>and</strong> races that were<br />

believed to be nearing extinction, if they had not reached that point already. One manifestation of<br />

this outlook was the constant fascination, if not obsession, of many to see the so-called ‘Classical<br />

Maori’ living according to traditional customs before they too became European <strong>and</strong> ultimately<br />

extinct.<br />

While early explorers of New Zeal<strong>and</strong>’s isolated wilderness had to ‘rough it out’ in<br />

extremely primitive conditions without a European settlement in sight, <strong>and</strong> were therefore at the<br />

constant mercy of Maori generosity, circumstances improved by the mid-nineteenth century to<br />

enable not only a new generation of German-speaking scientists, naturalists <strong>and</strong> explorers to<br />

arrive in the fledgling British colony, but also various travellers <strong>and</strong> immigrants from all walks of<br />

life. Due to the intense period of German emigration at the time, many individuals <strong>and</strong> families<br />

traded their homel<strong>and</strong> for better living conditions <strong>and</strong> employment in the antipodes. This was<br />

followed in the late 1870s <strong>and</strong> 1880s by improved transportation, which meant a higher<br />

concentration of visitors <strong>and</strong> travellers could now also explore tourist-friendly areas, townships<br />

<strong>and</strong> cities with relative ease. As many of these travellers <strong>and</strong> immigrants came without a formal<br />

341

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