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NARRATIVAS CONTAMINADAS<br />

TRES NOVELAS LATINOAMERICANAS:<br />

EL TUNGSTENO, PARQUE INDUSTRIAL Y CUBAGUA<br />

Alejandro Bruzual, PhD<br />

<strong>University</strong> <strong>of</strong> Pittsburgh, 2006<br />

This thesis examines the Latin American avant-garde movements <strong>of</strong> the 1920s and 1930s not<br />

through the usual focus, poetry, but through narrative fiction. I am working here with three<br />

1930’s nov<strong>el</strong>s that portray pr<strong>of</strong>ound ideological concerns that had not <strong>of</strong>ten been considered in<br />

earlier Latin American avant-garde narratives. El tungsteno, by Peruvian César Vallejo, is a<br />

mining nov<strong>el</strong> that includes indigenous issues. Parque industrial, by Brazilian Patrícia Galvao, is a<br />

gender-based nov<strong>el</strong> with urban and proletarian themes. And Cubagua, by the Venezu<strong>el</strong>an<br />

Enrique Bernardo Núñez, is an historical nov<strong>el</strong>, confronting the trauma <strong>of</strong> neo/colonization with<br />

the beginning <strong>of</strong> the populist modernization project.<br />

The beginning <strong>of</strong> the 1930s provides an important perspective from which to focus on the<br />

literary dev<strong>el</strong>opment <strong>of</strong> the continent. This is because it was not only a powerful world-changing<br />

moment but also, as I argue, an opportunity for a rupture within the institutions <strong>of</strong> literature.<br />

After the world political, social, and economic crises <strong>of</strong> 1928-1929, the Latin American avant-<br />

garde had to search for other ideological and aesthetic tactics to participate in the debates about<br />

national configurations in the international context, that reflect the emerge <strong>of</strong> definitive new<br />

social forces.<br />

iv

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