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el ...narrativas contaminadas - D-Scholarship@Pitt - University of ...

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My proposal is to explore the literary tensions <strong>of</strong> these Latin-American narratives,<br />

suggesting that it is possible to identify in them concerns such as the influences <strong>of</strong> mass<br />

movements within “peripheral” societies. I argue that despite their different responses to the<br />

literary-historical conjuncture, each <strong>of</strong> the texts chosen exhibited conflictive components which I<br />

call “contaminatory”: that is to say, an unstable (even contradictory) mixture <strong>of</strong> political as w<strong>el</strong>l<br />

as literary <strong>el</strong>ements from very different origins.<br />

One <strong>of</strong> the means <strong>of</strong> accomplishing this, after a review and critique <strong>of</strong> some key avant-<br />

garde concepts, is through an analysis <strong>of</strong> the r<strong>el</strong>ationship between Vallejo’s cultural essays<br />

(including his USSR trav<strong>el</strong> books) and El tungsteno. Then, in the case <strong>of</strong> Parque industrial, I<br />

evaluate the links with other Brazilian works and “female voices” <strong>of</strong> the time. Finally, I assess<br />

the r<strong>el</strong>ationships between Cubagua and some <strong>of</strong> his historical works, before summing up the<br />

different “contaminatory” strategies <strong>of</strong> the era in my conclusion.<br />

v

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