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PALOS, Joan-Lluís<br />

Imagining Luxury: Istanbul Viewed from Florence in 16 th Century<br />

In 1539 Duke Cosimo I of Medici married the Spanish noblewoman Eleonora of Toledo. In doing so, they drew the<br />

foundations that made possible two centuries of Medicean domination in Florence and the Tuscan duchy. The clue of this<br />

success was their capability to create a princely court. To achieve this, it was necessary to project an image in which luxury<br />

had a very precise political meaning.<br />

The court of Suleiman the Magnificient played a central role in their inspiration. Historians have typically depicted<br />

Venice as the cultural bridge between the Ottoman Empire and Western Mediterranean. In doing so, they have forgotten<br />

how other Italian capitals, like Florence, were fascinated by the court of the Turkish sultan. This fascination with oriental<br />

wealth, magnificence and sophistication was not a novelty. A corner stone moment was the visit that Byzantine dignitaries<br />

paid to the city in <strong>14</strong>38 later immortalized by Benozzo Gozzoli in the frescoes of the Medici palace chapel.<br />

Ever attentive to the dominating fashions in the sultan court, the Duchess of Florence, Eleanora of Toledo, requested<br />

constant updates from the Florentine envoys to Istanbul. She frequently asked them to acquire and bring back<br />

new and fashionable jewels, fabric, face creams and beauty care products. Turkey definitively contributed to the Florentine<br />

mindset about what luxury was.<br />

In studying this correspondence, my paper will attempt to show the way in which luxury played an important role<br />

as a nexus among countries deeply divided by political and religious differences.<br />

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