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The works of Horace : with English notes, critical and ... - Cristo Raul

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314 EXPLANATORY NOTES. BOOK I., ODE XXXVIII.<br />

this CsBsar obviously gave credit, for her effigy which he carried in<br />

triomph had an asp on the arm." It is more than prohable that the asp<br />

on the arm <strong>of</strong> the effigy was a mere ornament, mistaken by the populace<br />

for a symbolical allosion to the manner <strong>of</strong> Cleopatra's death. Or we may<br />

condade <strong>with</strong> Wrangham that there would <strong>of</strong> course be an asp on the<br />

diadem <strong>of</strong> the effigy, because it was peculiar to the kings <strong>of</strong> Egypt.<br />

29-30. 29. Deliberata morteferodor. " Becoming more fierce by a de<br />

termined resolution to die." Compare Orelli : " Permorlem deliberatam<br />

ferodorfacta" Morte is the instrumental ablative.—30. Saevis Liburnis,<br />

&C. "Because, a haughty woman, she disdained being led away in the<br />

hostile galleys <strong>of</strong> the Libumians, deprived <strong>of</strong> all her former rank, for the<br />

purpose <strong>of</strong> gracing the proud triumph <strong>of</strong> Augustus." Svperbo triainplU)<br />

is here put by a Graecism for ad svperbum triumpJium. <strong>The</strong> Tiavei Iaburna<br />

were a kind <strong>of</strong> light galleys used by the Libumians, an Blyrian race<br />

along the coast <strong>of</strong> the Adriatic, addicted to piracy. To ships <strong>of</strong> tbi^ constmction<br />

Augustus was in a great measure indebted for his victory ^at Ac-<br />

tium. <strong>The</strong> vessels <strong>of</strong> Antony, on the other h<strong>and</strong>, were remarkable for<br />

their great size. Compare the tumid description <strong>of</strong> Florm (iv., 11, 5)<br />

" Turrihus atqile iabulatis alleoatts, castellorum et urbium specie, non sine<br />

gemitit maris, et labqre ventorumferebantur."<br />

Ode XXXVIIL Written in condemnation, as is generally supposed,<br />

<strong>of</strong> the luxury <strong>and</strong> extravagance which marked the banquets <strong>of</strong> the day.<br />

<strong>The</strong> bard directs his attendant to make the simplest preparations for his<br />

entertainment.<br />

1-5. 1. Persicos apparatus. "<strong>The</strong> festal preparations <strong>of</strong> the Per<br />

siana," i. e., luxurious <strong>and</strong> costly preparations. NextS"phil^ra coroufs.<br />

" Chaplets secured <strong>with</strong> the rind <strong>of</strong> the linden." Chaplets, as alreadyiremarked,<br />

were supposed to be <strong>of</strong> efficacy in checking intoxication. Among<br />

the Romaiis they were made <strong>of</strong> ivy, myrtle. Sec, interwoven chiefly <strong>with</strong><br />

violets <strong>and</strong> roses. If fastened on a strip <strong>of</strong> bark, especially the inner rind<br />

<strong>of</strong> the linden tre^, they were called sittiles.—3. Miite sectari. " GHve over<br />

searching."—4. Moretur. "Loiters beyond its season."—5. Nihil aliabores<br />

sedulus euro. <strong>The</strong> order is nihil euro (ut) sedulus allabores. " I am<br />

not at all desirous that you take earnest pains to add any thing." We<br />

have given euro <strong>with</strong> Orelli, t)illenbu!ger,.8Bij'>tl!erB. "Wakefield [Sitv.<br />

Crii., 5 55) proposes cures. Joining it in construCtiu^v<strong>with</strong> sedulvs. Conningham,<br />

Valart, <strong>and</strong> Oaring adopt it. Bentley Teaa^tefaTiikiDg eura<br />

as an imperative in the sense olcave.<br />

—<br />

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