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The works of Horace : with English notes, critical and ... - Cristo Raul

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446 , EXPLANATORY NOTES. BOOK I., SATIRE IV.<br />

Bale in regular establishments {taberneB librariie), chiefly in the ArgiletiSm<br />

<strong>and</strong> in the Vicus S<strong>and</strong>alarius. On the shop-doort or on a pillar, as the caso<br />

might be, there was a list <strong>of</strong> the titles <strong>of</strong> books on sale.—71. Queis manus<br />

insudet, Sec. " Over which the h<strong>and</strong> <strong>of</strong> the rabhle <strong>and</strong> <strong>of</strong> Hermogenes<br />

TigelUns may sweat."<br />

73-84. 73. Nee rectio^ Underst<strong>and</strong> qua servpsi.— ^73. In meditt qui,<br />

Sec, It is here objected to the poet, that if he himself does not openly<br />

recite satirical verses <strong>of</strong> his composing, yet there are .many who do redtd<br />

theirs, <strong>and</strong> that^ too, even in the fonim <strong>and</strong> the bath; selecting the latter<br />

place in particolar, because, "being shat in- on every side by walls, it<br />

gives a pleasing echo to the voice." To this the poet replies, that such<br />

persons are mere fools, <strong>and</strong> altogether ignorant «fwhat propriety dem<strong>and</strong>s,<br />

as is shown in their selection <strong>of</strong> the place where they choose to exhibit<br />

themselves.— ^76. H<strong>and</strong> illud queereTUes. "Who never stop to put this<br />

question to themselves." Siiie senau, "Without any regard to what<br />

propriety dem<strong>and</strong>s."—77. Ltsdere gaudes^ &c. <strong>The</strong> poet^A antagonist is<br />

here supposed to return to the attack <strong>with</strong> a new charge. Well, then,<br />

if thou recitest in private <strong>and</strong> not in public, it is only the promjpfeing <strong>of</strong> a<br />

maHcions spirit, that thou mayest sl<strong>and</strong>er <strong>with</strong> the more impuni^ amid<br />

the; secret circle <strong>of</strong> thy friends ; for " thou takest delight in assailing the<br />

characters <strong>of</strong> others" {Ladare gaitdes).—78. Inquit, "Says one." <strong>The</strong><br />

common reading is inqwisi—Et hoc studio prmus fads. " And this thoa<br />

doest from the eager promptings <strong>of</strong> an evil heart." Literally, " <strong>and</strong> this,<br />

evil-hearted, thou doest <strong>with</strong> eager feelings." JJnde^ petitum hoc in me<br />

jacis. <strong>The</strong> poet indignantly repels the charge, <strong>and</strong> introdoces a most<br />

beautiful moral lesson respecting the duties <strong>of</strong> friendship.—79. Est auctot<br />

qiiis, &c. Observe that ^'U^s is here, as B/eissig remarks, the simple in-<br />

terrogative, <strong>and</strong> does not st<strong>and</strong> for aliquiSf as Heindorf maintains,<br />

80. Absentem qui rodit amicum. In order to connect the train <strong>of</strong> ideas,<br />

we must suppose something like the following clause to precede the present<br />

line : No, the maxim by which my conduct is governed is this : " He<br />

who backbites an absent friend," &o. <strong>The</strong>re is no term in our language<br />

which more forcibly expresses the meamngoi rodere in this passifige than<br />

the homely one which we have adopted, "to backbite." And yet even<br />

this, in some respects, does not come fully up to the signification <strong>of</strong> the<br />

original. <strong>The</strong> allusion is to that " gnawing" <strong>of</strong> another's character, which<br />

is the more injurious as it is the more difficult to be detected <strong>and</strong> put<br />

down.j—81. Solutoa qui capiat risus homiTmm, &c. " Who seeks eager-<br />

ly for the loud laughter <strong>of</strong> those around him, <strong>and</strong> the reputation <strong>of</strong> a wit.'<br />

<strong>The</strong> allusion is to one who values not the character or the feelings <strong>of</strong><br />

others if he can but raise a laugh at their expense, <strong>and</strong> who will sacrific*<br />

the ties <strong>of</strong> intimacy <strong>and</strong> friendship to some paltry witticism.—85. Hii<br />

niger est, ice. " This man is black <strong>of</strong> heart ; shon him, thou that hast tht<br />

spirit <strong>of</strong> a Koman.''<br />

85-87. 85. Scepe tribus lectis, &c. <strong>The</strong> poet now proceeds to give a<br />

pro<strong>of</strong> <strong>of</strong> the unreasonable conduct <strong>of</strong> those who charged him <strong>with</strong> maligni<br />

ty. <strong>The</strong> usual number <strong>of</strong> couches placed around the TftWtSO'Or table, ii<br />

the Roman banqueting-^oom, w-as three, one side ef= the table being left<br />

open for the slaves to bnng in <strong>and</strong> out the dishes. Henoe the name tri^<br />

elinium given to the bimqaeting-room. On each couch there were com<br />

—<br />

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