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The works of Horace : with English notes, critical and ... - Cristo Raul

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EXPLANATORY NOTES. BOOK I., SATIEE X. 479<br />

Nee redeant itenim, &o. <strong>The</strong> constraction is, nee redeant {heatris, iterum<br />

aique iterum speet<strong>and</strong>a,<br />

48-52. 48. Arguta meretrice pates, &.C. " Thoo, F<strong>and</strong>anias, alone <strong>of</strong><br />

all men living, dost possess the talent <strong>of</strong> prattling forth tales in a sportive<br />

vein, where an artfiil courtesan <strong>and</strong> a Davas impose upon an old Chremes."<br />

<strong>The</strong> allusion is to comedy, in which, according to the account here given<br />

by <strong>Horace</strong>, Fundanius appears to have been distinguished, though we<br />

know nothing <strong>of</strong> him from the testimony <strong>of</strong> other writers. <strong>The</strong> characters<br />

introduced into the text have reference to one <strong>of</strong> the plays <strong>of</strong> Terence, hut<br />

are intended, also, to be general in their application to comic writing.<br />

Davo. Davus is the name <strong>of</strong> a wily slave in Terence.—50. Pollio. <strong>The</strong><br />

poet refers to C. Asinina Follio, whose acquirements enabled him to shine<br />

in the noblest branches <strong>of</strong>polite literature, poetry, eloquence, <strong>and</strong> history.<br />

'—51. Pede ter pereiisso. "In iambic trimeters." <strong>The</strong> iambic trimeter<br />

verse is here thus styled, from the circumstance <strong>of</strong> its being scanned by<br />

measures <strong>of</strong> two feet, after each <strong>of</strong> which measures the time was marked<br />

by the percussion <strong>of</strong> tlie musician's foot. <strong>The</strong>re being three <strong>of</strong> these<br />

measures or metres in the trimeter, there were, consequently, three percussions.<br />

Forte epos aeer, &o. <strong>The</strong> construction is, acer Variiu, dueit ut<br />

nenno forte epos. "<strong>The</strong> spirited Varius leads along the manly epic in a<br />

style that none can equal." In a literal trai^slation, repeat ducit after<br />

nemo.—52. Nolle atque facelum Virgilio anrtuerunt, ice. " <strong>The</strong> Muses<br />

that delight in rural scenes have granted s<strong>of</strong>tness <strong>and</strong> elegance to Yirgil."<br />

It is evident from this, as well as from the poet's placing Yarins at the<br />

head <strong>of</strong> the Boman epic writers, that the .£neid was not published when<br />

the present satire was composed, <strong>and</strong> that the Bucolics <strong>and</strong> Georgics had<br />

alone as yet appeared.<br />

54-74. 54. Hoc erat, experto frustra, &c. " This kind <strong>of</strong> writing, in<br />

which I here indulge, was what, after the Atacinian Varro, <strong>and</strong> certain<br />

others, had essayed it in vain, I was enabled to pursue <strong>with</strong> better suc-<br />

cess, though~i]rferior to the inventor." With hoc supply genus scribendi.<br />

<strong>The</strong> allusion is to satire, <strong>and</strong> the inventor <strong>of</strong> it, to whom <strong>Horace</strong> here acknowledges<br />

his inferiority, was Lncilius. Varrone Atacino. <strong>The</strong> Varro<br />

here meant was not the learned Roman, but a native <strong>of</strong> Gallia Narbonen-<br />

sis, who was called Atacinns after the little Biver Atax, in that quarter,<br />

now the Aude 58. At dixifluere hune lutulenium. Sec. Compare Satire<br />

i., 4, 11, segq.—60. Doctus. "A learned critic." Ironical.—61. Comis<br />

Laeiliiis. " <strong>The</strong> courtly Lucilius." <strong>The</strong> epithet eomis appears to be here<br />

used by way <strong>of</strong> derision. AUi. Attias (or Accins, as he is sometimes,<br />

bat improperly called) was a Roman tragic writer, bom about A.U.C.<br />

584. His compositions were harsh in their character, hut were held in<br />

high estimation by his countrymen. Only some fragments remain.<br />

62. Non ridet versus Enni, 4c. " Does he not ridicule some <strong>of</strong> the verses<br />

<strong>of</strong> Ennius as too trifling for the dignity <strong>of</strong> the subject 1" Lucilius ridiculed<br />

various verses <strong>of</strong> Ennins for their want <strong>of</strong> epic dignity. Compare<br />

Servius, ad Virg., ^n., xi., 601.—63. Quum de se loquitur, &c. " When<br />

he speaks <strong>of</strong> himself, is it not as <strong>of</strong> one who is superior to those that are<br />

censured by him 7"—64. Num illius, num return, ic. "Whether his<br />

own genius, or the difficult nature <strong>of</strong> the topics which he h<strong>and</strong>les, has denied<br />

him verses in any respect more finished, <strong>and</strong> flowing more smoothly,<br />

than if one, satisfied merely <strong>with</strong> this, <strong>with</strong> confiuing namely any thing<br />

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