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The works of Horace : with English notes, critical and ... - Cristo Raul

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400 EXPLANATORY NOTES. EPODE V.<br />

themeelves to the highest stations ? <strong>The</strong> allasion appears to be to the<br />

armament fitted 'out by Octavianus (Augustas) against Sextus Pompeius,<br />

A.U.C. 718, whose principal strength consisted <strong>of</strong>.pirates <strong>and</strong> fugitive<br />

slaves.—20. Tribuno militum. In each legion there were six military<br />

tribunes, each <strong>of</strong> whom in battle seems to have had charge <strong>of</strong> ten centuries,<br />

which, when full, would amount to a thous<strong>and</strong> men ; hence the corresponding<br />

Greek appellation is x^^'-^PX^^'<br />

Epode V. <strong>The</strong> bard ridicules Canidia, who, herself advanced in years,<br />

was seeking by incantations <strong>and</strong> charms to regain the affections<strong>of</strong> the old<br />

<strong>and</strong> foolish Varus. A strange scene <strong>of</strong> magic rites is introduced, <strong>and</strong> the<br />

piece opens <strong>with</strong> the piteous exclamations <strong>of</strong> a boy <strong>of</strong> noble birth, whom<br />

Canidia <strong>and</strong> her associate hags are preparing to kUl by a slow <strong>and</strong> dread<<br />

ful process, <strong>and</strong> from whose marrow <strong>and</strong> dried liver a philter or bve-<br />

potion is to be prepared, all-powerful for recalling the inconstant Varus.<br />

It will be readily perceived that the greater part <strong>of</strong> this is mere fictioD,<br />

<strong>and</strong> that the real object <strong>of</strong> the poet is to inflict well-merited chastisement<br />

on those females <strong>of</strong> the day, in whose licentious habits age had been able<br />

to produce no alteration, <strong>and</strong> who, when their beauly had departed, had<br />

recourse to strange <strong>and</strong> saperstitious expedients for securing admirers.<br />

1-24. 1. At, O deoruvif &c. <strong>The</strong> scene opens, as we have already remarked,<br />

<strong>with</strong> the supplications <strong>of</strong> a boy, who is supposed to be surrounded<br />

by the hags, <strong>and</strong> who reads their purpose in their loolks. He conjures<br />

them to have compassion on him by the tenderness <strong>of</strong> mothers for their<br />

children, by his birth, <strong>and</strong>by the justice <strong>of</strong> the gods.—4. Truces. "Fierce-<br />

ly turned."—5. Partubus veris. Alluding to the frequent stealing <strong>of</strong> in-<br />

fants on the part <strong>of</strong> these hags.—7. Per hoc inane, &c. " By this vain ornament<br />

<strong>of</strong> purple." Young men <strong>of</strong> family wore a gown bordered <strong>with</strong><br />

purple, called (the toga preetexta, until the age <strong>of</strong> seventeen, when they<br />

put on the toga virilis. <strong>The</strong> epithet inane expresses the disregard <strong>of</strong><br />

Canidia for this emblem <strong>of</strong> rank.—9. Aut uti petita, &.c. " Or like a savage<br />

beast <strong>of</strong>prey wounded by the dart."-^ll. Ut hac trementey Sec. "When<br />

the boy, after having uttered these complaints <strong>with</strong> trembling lips, stood<br />

among them, <strong>with</strong> his ornaments sti'ipped <strong>of</strong>f, a tender body," &c. Under<br />

the term insignia, the poet includes both the toga pratcxta <strong>and</strong> the bulla.<br />

This latter was a golden ball or boss, which hung from the neck on the<br />

breast, as some think in the shape <strong>of</strong> a heart, but, according to others,<br />

round, <strong>with</strong> the figure <strong>of</strong> a heart engraved on it. <strong>The</strong> sons <strong>of</strong> freedmen<br />

<strong>and</strong> <strong>of</strong> poorer citizens used only a leathern boss.—1^. CamdiOi,^ brevilms<br />

implieataf Sec "<strong>The</strong>n Canidia, having entwined her locks <strong>and</strong> dishevel-<br />

led head <strong>with</strong> small vipers," &c. <strong>The</strong> costume most commonly assigned<br />

to the furies is here im^itated.—17. Jubet sepulcris, &o. Freparaticnis are<br />

no^ made for the unhalloiyed rites ; <strong>and</strong> first, the wood to be used for the<br />

fire muBt be that <strong>of</strong> the wild fig-tree, torn up from a burying-place. Tlie<br />

wood supposed to be employedon suph occasions was always that <strong>of</strong> soma<br />

inauspicious or illomened tree, <strong>and</strong> in this class the wild fig:tvee was par-<br />

ttiejilarly ranked|both on account <strong>of</strong> its steriUty, <strong>and</strong> its springing up spontaneously<br />

among tombs.—18. Cupressus.funebres. "Funereal cypresses."<br />

Consult note on Ode ii., 14, 23.—19. Et uncia turpis ova ranee sanguine,<br />

k.0. <strong>The</strong> o^der <strong>of</strong> construction is as follows : Et ova nocturnae strigif^

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