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The works of Horace : with English notes, critical and ... - Cristo Raul

The works of Horace : with English notes, critical and ... - Cristo Raul

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EXPLANATORY NOTES'. EPISTLES. 541<br />

correctness <strong>of</strong> his taste, <strong>and</strong> the extent <strong>and</strong> variety <strong>of</strong> his knowledge, that<br />

a body <strong>of</strong> criticism might be selected from his <strong>works</strong> more perfect in its<br />

kind than any thing which antiquity has bequeathed us." Of course, no<br />

person can dispute the correctness or soundness <strong>of</strong> <strong>Horace</strong>'s judgment<br />

but he was somewhat <strong>of</strong> a cold critic, <strong>and</strong> from his habits as a satirist had<br />

acquired the Parnassian sneer. Ho evidently attached more importance<br />

to regularity <strong>of</strong> plan, to correctness <strong>and</strong> terseness <strong>of</strong> style, than to originality<br />

<strong>of</strong> genius or fertility <strong>of</strong> invention. He admitted no deviation from the<br />

strictest propriety. He held in abhorrence every thing incongruous or<br />

misplaced, he allowed no pageantry on the stage, <strong>and</strong> tolerated nothing<br />

approachiug the horrible in tragedy or the farcical in comedy. I am sat-<br />

isfied that he would not have admired Shakspeare ; he would have con-<br />

sidered Addison <strong>and</strong> Pope as much finer poets, <strong>and</strong> would have included<br />

Falstaff, Autolycus, Sir Toby Belch, <strong>and</strong> all the clowns <strong>and</strong> boasters <strong>of</strong> the<br />

great dramatist, in the same censure which he bestows on the Plavtinos<br />

sales, <strong>and</strong> the Mimes <strong>of</strong> Laberius. Of poetry he talks <strong>with</strong> no gireat enthusiasm,<br />

at least in his <strong>critical</strong> <strong>works</strong> ; <strong>of</strong> poets in general he speaks at<br />

best <strong>with</strong> compassion <strong>and</strong> indulgence ; <strong>of</strong> his illustrious predecessors in<br />

particular, <strong>with</strong> disparagentent <strong>and</strong> contumely. In his ethical verses, oo<br />

the other h<strong>and</strong>, connected as they are <strong>with</strong> his love <strong>of</strong> a rural life <strong>of</strong> tran<br />

quillity, freedom, <strong>and</strong> retirement, there is always something heartfelt <strong>and</strong><br />

glowing. A few <strong>of</strong> his speculative notions in morals may be erroneous,<br />

but his practical results are full <strong>of</strong> truth <strong>and</strong> wisdom. His philosophy, it<br />

has been said, gives too much dignity <strong>and</strong> grace to indolence places too<br />

;<br />

much happiness in a passive existence, <strong>and</strong> is altogether destructive <strong>of</strong><br />

l<strong>of</strong>ly views. But in the age <strong>of</strong> <strong>Horace</strong>, the Boman world had got enough<br />

<strong>of</strong> l<strong>of</strong>ty views, <strong>and</strong> his sentiments must be estimated, not abstractly, but<br />

in reference to what was expedient or salutary at the time. After the<br />

experience which mankind had suffered, it was not the duty <strong>of</strong> a moralist<br />

to sharpen the dagger <strong>of</strong> a second Brutus ; <strong>and</strong> maxims which might have<br />

flourished in the age <strong>of</strong> Bcipio or Epaminondas, would have been misplaced<br />

<strong>and</strong> injurious now. Such virtues, however, as it was yet permitted<br />

to exercise, <strong>and</strong> such as could be practiced <strong>with</strong>out danger to the state,<br />

are warmly <strong>and</strong> assiduously inculcated.<br />

" <strong>Horace</strong>," says Dryden, "instructs us how to combat our vices, to reg-<br />

ulate our passions, to follow nature, to give bounds to our desires, to distinguish<br />

between truth <strong>and</strong> falsehood, <strong>and</strong> between our conceptions <strong>of</strong><br />

things <strong>and</strong> things themselves ; to come back from our prejudicate opin-<br />

ions, to underst<strong>and</strong> exactly the principles <strong>and</strong> motives <strong>of</strong> all our actions,<br />

<strong>and</strong> to avoid the ridicule into which all men necessarQy fall, who are intoxicated<br />

<strong>with</strong> those nations which they have received from their masters,<br />

<strong>and</strong> which they obstinately retain, <strong>with</strong>out examining whether or not<br />

they be founded on right reason. In a word, he labors to render us happy<br />

in relation to ourselves, agreeable <strong>and</strong> faitbfdl to our friends, <strong>and</strong> discreet,<br />

serviceable, <strong>and</strong> well bred in relation to those <strong>with</strong> whom we are<br />

obliged to live <strong>and</strong> to converse." And though, perhaps, we may not very<br />

higUy estimate the moral character <strong>of</strong> the poet himself, yet it can not be<br />

doubted, that, when many <strong>of</strong> his epistles were penned, his moral sense<br />

<strong>and</strong> feelings must have been <strong>of</strong> a highly elevated description ; for where<br />

shall we find remonstrances more just <strong>and</strong> beautiful against luxury, envy,<br />

<strong>and</strong> ambition ; against all the pampered pleasures <strong>of</strong> the body, <strong>and</strong> all tha<br />

;

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