04.07.2013 Views

The works of Horace : with English notes, critical and ... - Cristo Raul

The works of Horace : with English notes, critical and ... - Cristo Raul

The works of Horace : with English notes, critical and ... - Cristo Raul

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

—<br />

—<br />

470 EXPLANATORY NCTES. BOOK I., SATIRE IX.<br />

to the ti'encli or the blood. <strong>The</strong> latter appears to ns more correct, <strong>and</strong><br />

inde will therefore be equivalent to hfic re, " by means <strong>of</strong> this." Nothing<br />

was supposed to be more delicioas to the souls <strong>of</strong> the departed than blood.<br />

<strong>The</strong>y would not foretell any future events, nor answer any questions, until<br />

they had tasted <strong>of</strong> it. Manes. <strong>The</strong> Dd Manes, <strong>of</strong> course^ are meant.<br />

29-35. 29. Lanea et effigies erai, &c. <strong>The</strong>re were two imagoes, one <strong>of</strong><br />

larger size, <strong>and</strong> made <strong>of</strong> wool, the other smaller, <strong>and</strong> composed <strong>of</strong>-wa±<br />

<strong>The</strong> former represented Canidia, the latter the intended victim <strong>of</strong> the<br />

charm; <strong>and</strong> this one stood in a suppliant posture before the other, as if<br />

about to receive some signal punishment. <strong>The</strong> general rule in magic rites<br />

seems to have been, to make the images <strong>of</strong> those who were to be bene-<br />

fited <strong>of</strong> wool, <strong>and</strong> to employ wax in the case <strong>of</strong> those who were to he operated<br />

upon. <strong>The</strong> wool was deemed invulnerable, whereas the wax was<br />

either pierced <strong>with</strong> needles, or was made to melt away in magic fires.—<br />

31. Qua pcenis compesceret inferiorem. "Which was to keep the smaller<br />

one <strong>with</strong>in bounds by certain punishments," i. e., was to keep the individual<br />

whom the image represented from w<strong>and</strong>ering in his affibctions, l^<br />

the infliction <strong>of</strong> certain severe punishments.—^32. Servilibus modis. "Like<br />

a slave," i. e., by the severest inflictions <strong>of</strong> suffering. Compare Orelli<br />

"Mis^ahiliter peritura, liquejieri enim dehebat"—34. lAinarfigue rttJentem.<br />

"And the blushing moon." <strong>The</strong> moon blushes <strong>with</strong> shame at these<br />

abominable rites.—35. Magna sepulcra. Not, as some suppose, the highraised<br />

graves in the gardens, for these had long since disappeared, if they<br />

overbad been there at all, but probably the l<strong>of</strong>ty tombs <strong>of</strong> some <strong>of</strong> the Bo<br />

man nobility along the Via Tiburtina in tbe vicinity. [Keightley, ad foe'<br />

37-39. 37. Umhrm. Tbe manes evoked by the incantations <strong>of</strong> the sr r<br />

ceress. Resonarent triste et acutum. <strong>The</strong> spirits <strong>of</strong> the dead are here<br />

represented, in accordance <strong>with</strong> the popular belief, as uttering a plaintive<br />

<strong>and</strong> shrill sound when speaMng.—38. Lupi barbam. Pliny {H. N., xxviii.,<br />

10) infoims us that the snout <strong>of</strong> a wolf [rostrum litp^ was thought to possess<br />

the greatest virtue in repelling enchantments, <strong>and</strong> was therefore<br />

fixed up over the doors <strong>of</strong> farm-houses. <strong>The</strong> modem belief respecting the<br />

eflicacy <strong>of</strong> the horse-shoe is akin to this. On the present occasion, the<br />

hags'buiy a wolTs beard in order to guard their own enchantments against<br />

any counter-charm.—43. Cerea. To be pronounced, in metrical reading,<br />

c&r-ya. Compare Sat. ii., 2, 21, where a similar contraction occurs in the<br />

word ostrea.<br />

SATIRE IX. <strong>Horace</strong> describes the unavailing efforts which he employs<br />

to get rid <strong>of</strong> an importunate ffillow, a fop <strong>and</strong> poetaster, who tires <strong>and</strong><br />

overwhelms him <strong>with</strong> his loquacity. Sometimes he stops short, <strong>and</strong> then<br />

walks fast, bat all his endeavors are vain to shake <strong>of</strong>f the intruder. A<br />

few <strong>of</strong> the touches <strong>of</strong> this finished portrait, which is surpassed by none in<br />

delicacy <strong>of</strong> coloring <strong>and</strong> accuracy <strong>of</strong> delineation^ have been taken from the<br />

characters <strong>of</strong> <strong>The</strong>ophrastus. <strong>The</strong> individual here described belonged to a<br />

class <strong>of</strong> persons, then so numerous at Rome, who fancied themselves to<br />

bo bel-espritSt men <strong>of</strong> talents <strong>and</strong> accomplishments, <strong>and</strong> entitled to be,<br />

like <strong>Horace</strong> <strong>and</strong> Virgil, admitted to the society <strong>of</strong> the great. <strong>The</strong> poet<br />

here depicts the mean artifices by which thay thought this was to be ef<br />

;

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!