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The works of Horace : with English notes, critical and ... - Cristo Raul

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612 EXPLANATORY NOTES.—-BOOK II., EPISTLE 1.<br />

received, he by degrees presses upon his disputant, who was not on his<br />

guard against jarprise, <strong>and</strong> who neither knows how to advance nor retreat.<br />

—36. Decidit. Equivalent to mortuus est.—38. ExcludaS jurgia Jmis.<br />

"Let some fixed period exclude all possibility <strong>of</strong> dispute."—39. Est vetus<br />

atque probus, centum qui perjicit annos. We have here the answer to<br />

<strong>Horace</strong>'s question, supposed to be given by some admirer <strong>of</strong> the ancients.<br />

—40. Minor. Supply «a^tt. "Later."—42. An^uos. Complete the ellipsis<br />

as follows: An inter eos quos.—43. Honeste. "Fairly."—45. Utor<br />

permisso, caud(Bque pilos ut equina, &c. "I avail myself <strong>of</strong> this conces-<br />

sion, <strong>and</strong> pluck away the years by little <strong>and</strong> little, as I would the hairs <strong>of</strong><br />

a horse's tail ; <strong>and</strong> first I take away one, <strong>and</strong> then again I take away an-<br />

other, until he who has recourse to annals, <strong>and</strong> estimates merit by years,<br />

<strong>and</strong> admires nothing but what Libitinahas consecrated, falls to the ground,<br />

being overreached by the steady principle <strong>of</strong> the sinking heap," i. e., the<br />

principle by which the heap keeps steadily diminishing. We have here<br />

a fair specimen <strong>of</strong> the argument in logic, termed Sorites (SaplTTj^t ^om<br />

aiipog, " a heap"). It is composed <strong>of</strong> several propositions, very little different<br />

from each other, <strong>and</strong> closely connected together. <strong>The</strong> conceding<br />

<strong>of</strong> the first, which, in general, can not be <strong>with</strong>held, draws after it a conces-<br />

sion <strong>of</strong> all the rest in their respective turns, until our antagonist finds him-<br />

self driven into a situation fi-om which there is no escape. As a heap <strong>of</strong><br />

corn, for example, from which one grain after another is continually taken,<br />

at length sinks to the ground, so, in the present instance, a large number<br />

<strong>of</strong> years, from which a single one is constantly taken, is at last so diminished<br />

that we can not tell when it ceased to be a large number. Chrysippus<br />

was remarkable for his frequent use <strong>of</strong> this syllogism, <strong>and</strong> is sup*<br />

posed to have been the inventor.—46. Paulatim vdlo, et demo unvm,<br />

demo et item unum. With vello supply annost <strong>and</strong> <strong>with</strong> each unum supply<br />

annum.—47. Cadat. As if he had been st<strong>and</strong>ing on the heap, in<br />

fancied security, until the removal <strong>of</strong> one <strong>of</strong> its component parts after an<br />

other brings him eventually to the ground.—48. Fastos. <strong>The</strong> Fasti Con-<br />

Bulares are meant, which would be consulted in order to find under what<br />

consuls {i. e.f in what year) a poet was bom.—49. Nisi quod Uhitina<br />

sacravit. Allading to the <strong>works</strong> <strong>of</strong> those who have been consigned to<br />

the tomb : the writings <strong>of</strong> former days. Consult, as regards Libitina, the<br />

note on Ode iii., 30, 7:<br />

50-53. 50. Ennius, et sapiens, etforUs, &c. "Ennius, both leamei<br />

<strong>and</strong> spirited, <strong>and</strong> a second Homer, as critics say, seems to care but little<br />

what becomes <strong>of</strong> his boastful promises <strong>and</strong> his Pythagorean dreams."<br />

Thus far the poet has been combating the general prejudice <strong>of</strong> his time<br />

in favor <strong>of</strong> antiquity. He now enters into the particulars <strong>of</strong> his charge,<br />

<strong>and</strong>, fi*om line 50 to 59, gives us a detail <strong>of</strong> the judgments passed upon<br />

the most celebrated <strong>of</strong> the old Roman poets by the generality <strong>of</strong> his con<br />

temporaries. As these judgments are only a representation <strong>of</strong> the popn<br />

lar opinion, not <strong>of</strong> the writer's own, the commendations here bestowed<br />

are deserved or otherwise, just as it chances. <strong>Horace</strong> commences <strong>with</strong><br />

Ennius : the meaning, however, which he intends to convey, has been, in<br />

general, not very clearly understood. Ennius particularly pr<strong>of</strong>essed to<br />

have imitated Homer, <strong>and</strong> tried to persuade his countrymen that the soul<br />

<strong>and</strong> genius <strong>of</strong> that great poet had revived in him, through the medium <strong>of</strong><br />

ft peacock, according to the process <strong>of</strong> Pythagorean transmigration : afan

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