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The works of Horace : with English notes, critical and ... - Cristo Raul

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—<br />

' EXPLANATORY NOTES. BOOK II,., ODE IX. 323<br />

Ode IX. Addressed to T. Valgius Kafns, inconsolable at the loss <strong>of</strong> bis<br />

son Mystes, who had been taken from him by an ontimely death. <strong>The</strong><br />

bard coansela his friend to cease from his unavailing sorrow, <strong>and</strong> to sing<br />

<strong>with</strong> him the praises <strong>of</strong> Augustas.<br />

<strong>The</strong> individual to whom the ode ia inscribed was himself a poet, <strong>and</strong> is<br />

mentioned by Tibullas (iv., 1, 180) in terms <strong>of</strong> high commendation : " Valgius<br />

; ater-no propior non alter Homero." It ia to the illasion <strong>of</strong> friendship,<br />

most probably, that we must ascribe this l<strong>of</strong>ty eulogium, since duintilian<br />

makes no mention whatever <strong>of</strong> the writer in question. <strong>Horace</strong><br />

names him among those by whom he wishes his productions to be approved.<br />

(So*., i., 10, 82.)<br />

1-7. 1. Non semper, io. <strong>The</strong> expressions semper, usque, <strong>and</strong> menses<br />

per om-nes, in this <strong>and</strong> the succeeding stanza, convey a delicate repro<strong>of</strong><br />

<strong>of</strong> the incessant sorrow in which the bereaved parent so unavailingly indulges.<br />

Hispidos in agros. " On the rough fields." <strong>The</strong> epithet hispidus<br />

properly refers to the effect produced on ^e'surface <strong>of</strong> the ground by<br />

the action <strong>of</strong> the descending rains. It approximates here very closely to<br />

the term squalidus.—2. Aut mare Caspium, &c. " Nor do varying blasts<br />

continrtally disturb the Caspian Sea." According to Malte-Bron, the north<br />

<strong>and</strong> south winds, acquiring strength from the elevation <strong>of</strong> the shores <strong>of</strong><br />

the Caspian, added to the facility <strong>of</strong> their motion along the surface <strong>of</strong> the<br />

water, exercise a powerful influence in varying the level at the opposite<br />

extremities. Hence the variations have a range <strong>of</strong> from four to eight feet,<br />

<strong>and</strong> powerful currents are generated both <strong>with</strong> the rising <strong>and</strong> subsiding<br />

<strong>of</strong> the winds. [System <strong>of</strong> Geography, vol. ii., p. 313.)—4. Armeniis in<br />

oris. "On the borders <strong>of</strong> Armenia." <strong>The</strong> allusion is to the northern confines.<br />

Armenia forms a very elevated plain, surrounded on all sides by<br />

l<strong>of</strong>ty mountains, <strong>of</strong> which Ararat <strong>and</strong> Kohi-seiban are crowned <strong>with</strong> perpetual<br />

snow. <strong>The</strong> cold in the high districts <strong>of</strong> the country is so very intense<br />

as to leave only three months for the season <strong>of</strong> vegetation, including<br />

seed-time <strong>and</strong> harvest. {Compaie Malte-Brun, System <strong>of</strong> Geographic,<br />

vol. ii., p. 103.)—7. Querceta Gargani. " <strong>The</strong> oak-groves <strong>of</strong> Garganus."<br />

<strong>The</strong> chain <strong>of</strong> Mount Garganus, now Monte S. Angela, runs along a part <strong>of</strong><br />

the coast <strong>of</strong> Apulia, <strong>and</strong> finally terminates in the Promontorium Garganum,<br />

now Punta di Viesta, forming a bold projection into the Adriatic.<br />

9-10. 9. Tu semper urges, &c. "And yet thou art ever in mournful<br />

strains pursuing thy Mystes, torn from thee by the h<strong>and</strong> <strong>of</strong> death." Urges<br />

is here used as a more emphatic <strong>and</strong> impressive term than the common<br />

prosequeris, <strong>and</strong> implies a pressing closely upon the footsteps <strong>of</strong> another<br />

in eager pm'suit.—10. Nee tibi vespero, &c. " Nor do thy affectionate sorrows<br />

cease when Vesper rises, nor when he flees from before the rapidlyascending<br />

sun." <strong>The</strong> phrase Vespero surgente marks the evening period,<br />

when Vesper (the planet Venus) appears to the east <strong>of</strong> the sun, <strong>and</strong> imparts<br />

its mild radiance after that luminary has set. On the other h<strong>and</strong>,<br />

the expression fugiente solem indicates the morning, in allusion to that<br />

portion <strong>of</strong> the year when the same planet appears to the west <strong>of</strong> the sun,<br />

<strong>and</strong> rises before him. <strong>The</strong> poet, then, means to designate the evening<br />

<strong>and</strong> morning, <strong>and</strong> to convey the idea that the sorrows <strong>of</strong> Valgius admit <strong>of</strong><br />

no cessation or repose, bat continue unremitted throughout the night as<br />

well as day. <strong>The</strong> planet Venus, when it goes before the sun, is called, in

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