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The works of Horace : with English notes, critical and ... - Cristo Raul

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—<br />

550 EXPLANATORY NOTES. BOOK X., EPISTLE IL<br />

dom. In order to express this, he adopts the language which the Sfcoicg<br />

<strong>of</strong> the day were fond <strong>of</strong> using in reference to the superior privileges oS<br />

their wise man. As the Stoics, however, carried their notions <strong>of</strong> their<br />

wise man to a ridiculous length, it is easy to perceive that <strong>Horace</strong>, tliough<br />

he embraced what was good in the philosophical tenets <strong>of</strong> this sect, could<br />

not give in to theirridiculoas paradoxes. Hence the piece <strong>of</strong> raillery <strong>with</strong><br />

which the epistle terminates.—107. Preecipue sanus, &c. <strong>The</strong> Stoics regarded<br />

a sound <strong>and</strong> healthy frame as among the many advantages which<br />

their discipline conferred. But after alluding to this, the poet sarcastic-<br />

ally adds, nisi qwwm pituita moLesta est, meaning to imply that there<br />

were occasions when the wise man <strong>of</strong> the Stoics was brought down to the<br />

level <strong>of</strong> the common herd. In order to comprehend the full force <strong>of</strong> the<br />

raillery here employed, we must hear in mind that they who labor under<br />

^ay defluxion <strong>of</strong> phlegm experience at the same time a dullness in the<br />

senses <strong>of</strong> smell <strong>and</strong> taste, <strong>and</strong> that this, applied in a figurative sense to<br />

the intellect^ conveys the idea <strong>of</strong> an unfitness for any subtle examination<br />

<strong>of</strong> things, or any nice exercise <strong>of</strong> judgment. Hence it will be perceived<br />

that sanus in the text is purposely used in an ambiguous sense, as referring<br />

not merely to the body, hut also to the mind. Pituita. To be pronounced,<br />

in metrical reading, as a trisyllable, pitwita.<br />

Epistle II. <strong>Horace</strong>, having retired for some time into the country,<br />

bad taken the opportunity <strong>of</strong> that solitude to read over Homer again <strong>with</strong><br />

particular attention, <strong>and</strong>, writing to his iriend Lollius at !Rome, sends him<br />

his remarks upon that poet, <strong>and</strong> an explanation <strong>of</strong> what he takes to be the<br />

main design <strong>of</strong> his two poems. He finds that the <strong>works</strong> <strong>of</strong> this admirable<br />

poet are one continued lesson <strong>of</strong> wisdom <strong>and</strong> virtue, <strong>and</strong> that he gives<br />

the strongest picture <strong>of</strong> the miseries <strong>of</strong> vice, <strong>and</strong> the fatal consequences<br />

<strong>of</strong> ungovemed passion. From this he takes occasion to launch forth in<br />

praise <strong>of</strong> wisdom <strong>and</strong> moderation, <strong>and</strong> shows that, to he really happy,<br />

we must learn to have the comm<strong>and</strong> <strong>of</strong> ourselves. <strong>The</strong> passions are headftrong,<br />

unwilling to listen to advice, <strong>and</strong> always push us on to extremi-<br />

ties. To yield to them is to engage in a series <strong>of</strong> rash <strong>and</strong> inconsiderate<br />

steps, <strong>and</strong> create matter <strong>of</strong> deep regret to ourselves in time to come. A<br />

present gratification, thus obtained, is ^dear piurchase, <strong>and</strong> what no wise<br />

man will covet.<br />

1-3. 1. Maxime Lolli. " Eldest Lollius." Underst<strong>and</strong> natu. <strong>The</strong> in-<br />

dividual here addressed would appear to have been the son <strong>of</strong> M. Lollius<br />

FalicanuB, who was consul <strong>with</strong> Q,.^milius Lepidus.—S. Dum tu decla*<br />

mas RomtE. "While thou art exercising thyself at Home in the art <strong>of</strong><br />

public speaking." Young persons <strong>of</strong> distinction at Bome, whose views<br />

were directed toward a public life, were accustomed to exercise themselves<br />

in oratory by declamations in private on feigned subjects, <strong>and</strong> it is<br />

to this practice that the text alludes. Prtsneste relegi, "I have read<br />

over again at Prasneste." Consult note on Ode iii., 4, 23.—3. Pulchrum.<br />

"Becoming." Analogous to the rh KaTidv <strong>of</strong> the Greeks. Quid non,<br />

" What injurious." <strong>The</strong> poet does not merely mean what is simply use-<br />

less, but what also brings injury along <strong>with</strong> it.<br />

4-fl. 4. Planius. "More clearly."<br />

—<br />

—<br />

Chrysippo, Consult note on 8aU

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