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The works of Horace : with English notes, critical and ... - Cristo Raul

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Ivm LIFE OF MAECENAS.<br />

beloved by Maecenas, the latter especially, than any <strong>of</strong> their coutem.<br />

poraries. Virgil was indebted to him for the recovery <strong>of</strong> his farm,<br />

which had heen appropriated by the soldiery in the division <strong>of</strong> l<strong>and</strong>s,<br />

B.C.. 41 ; <strong>and</strong> it was at the request <strong>of</strong> MsEcenas that he undertook<br />

the Georgics, the most finished <strong>of</strong> all his poems. To <strong>Horace</strong> he was<br />

a still greater benefactor. He not only procured him a pardon for<br />

having fought against Ootavianus at Philippi, but presented hira <strong>with</strong><br />

the means <strong>of</strong> a comfortable subsistence, a farm in the Sabine country,<br />

if the estate was but a moderate one, we learn from <strong>Horace</strong> him-<br />

self that the bounty <strong>of</strong> Maecenas was regulated by his own contented<br />

views, <strong>and</strong> not by his patron's want <strong>of</strong> generosity {Carm. ii., 18,<br />

14; iii., 16, 38). Nor was this liberality accompanied <strong>with</strong> any<br />

servile <strong>and</strong> degrading conditions. <strong>The</strong> poet was at liberty to write<br />

or not, as he pleased, <strong>and</strong> lived in a state <strong>of</strong> independence creditable<br />

alike to himself <strong>and</strong> to his patron. Indeed, their intimacy was rather<br />

that <strong>of</strong> two familiar friends <strong>of</strong> equal station, than <strong>of</strong> the royally-descended<br />

<strong>and</strong> powerful minister <strong>of</strong> Caesar <strong>with</strong> the son <strong>of</strong> an obscure<br />

freedman. But on this point we need not dwell, as it has been alresidy<br />

touched upon in the life <strong>of</strong> <strong>Horace</strong>.<br />

* Of Maecenas's own literary productions only a few fragments ex-<br />

ist. From these, however, <strong>and</strong> from the notices which we find <strong>of</strong> his<br />

writings in ancient authors, we are led to think that we have not<br />

suffered any great loss by their destruction ; for, although a good<br />

judge <strong>of</strong> literary merit in others, he does not appear to have been an<br />

author <strong>of</strong> much taste himself. It has been thought that two <strong>of</strong> his<br />

<strong>works</strong>, <strong>of</strong> which little more than the titles remain, were tragedies,<br />

namely, the Prometheus <strong>and</strong> Octa/via. But Seneca (Ep. 19) calls the<br />

former a book (librwm) ; <strong>and</strong> Octavia, mentioned in Priscian (lib. 10),<br />

is not free from the suspicion <strong>of</strong> being a corrupt reading. An hexameter<br />

line supposed to have belonged to an epic poem, another line<br />

thought to have been part <strong>of</strong> a galliambic poem, one or two epigrams,<br />

<strong>and</strong> socle other fragments, are extant, <strong>and</strong> are given by Meibom <strong>and</strong><br />

Fr<strong>and</strong>sen in their lives <strong>of</strong> Maecenas. In prose he wrote a work on<br />

Natural. History, which Pliny several times alludes to, but which<br />

seems to have related chiefly to fishes <strong>and</strong> gems. Servius {ad Virg.,<br />

JBn., viii., 310) attributes a Symposium to him. If we may trust<br />

the s^me authority, he also composed some memoirs <strong>of</strong> Augustus ;<br />

<strong>and</strong> <strong>Horace</strong> (Carm. ii., 12, 9) alludes to at least some project <strong>of</strong> the<br />

kind, but which was probably never carried into execution. Mjb-<br />

eenas's prose style was afiected, unnatural, <strong>and</strong> <strong>of</strong>ten unintelligible,<br />

<strong>and</strong> for these qualities he was derided by Augustus. {Suet., Aug.,<br />

26.) Macrobius (Saturn., ii., 4) has preserved part <strong>of</strong> a letter <strong>of</strong> the<br />

emperor's, in which he takes <strong>of</strong>f his minister's way <strong>of</strong> writinir. <strong>The</strong><br />

author <strong>of</strong> the dialogue De Causis Corrupts Eloquentice (c. 26) enumerates<br />

hira £imong the orators, but stigmatizes his affected style<br />

by the term calamistros Macenatis. Quintilian (Inst. Orat., xi., 4,<br />

§ 28) <strong>and</strong> Seneca (Ep. 114) also condemn his style; <strong>and</strong> the lattei<br />

iiiuthor gives a specimen <strong>of</strong> it which is almost wholly unintelligib'a

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