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The works of Horace : with English notes, critical and ... - Cristo Raul

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374 EXPLANATORY NOTES. BOOK IV., ODE IH.<br />

triumphal entry <strong>of</strong> Augustas. No triumph, however, took place, as the<br />

emperor avoided one by coming privately into the city. M&e vocis bona<br />

pars accedet. " A large portibn <strong>of</strong> my voice shall join the general cry.''<br />

—46. O sol pulcher. " O glorious day."—49. Tuque dum procedis, Ac.<br />

" And while thou art moving along in the train <strong>of</strong> the victor, we will <strong>of</strong>ten<br />

raise the shout <strong>of</strong> triumph; the whole state will raise the shout <strong>of</strong><br />

triumph." <strong>The</strong> address is to Antonins, who will form part <strong>of</strong> the triumphal<br />

procession, while the poet will mingle in <strong>with</strong>,' <strong>and</strong> help to swell<br />

the acclamations <strong>of</strong> the crowd. With civitas omnis underst<strong>and</strong> dicet.—<br />

53. Tc. Underst<strong>and</strong> solvent, " shall free thee from thy vow." Alluding<br />

to the fulfillment <strong>of</strong> vows <strong>of</strong>fered up for the safe return <strong>of</strong> Augustas.<br />

65. Largis herHs. " Amid abundant pastures." 56. Inmeavota. "For<br />

tho faliillment <strong>of</strong> my vows."—57. Curvatos ignes. " <strong>The</strong> benc^g fires<br />

($ the moon when she brings back her third rising," i. e., the crescent <strong>of</strong><br />

the moon when she is three days old. <strong>The</strong> comparison is between the<br />

crescent <strong>and</strong> the horns <strong>of</strong> the young animal.—59; Q^ua notam dusat, ko.<br />

" Snow-white to the view where it bears a mark ; as to the rest <strong>of</strong> its<br />

body, <strong>of</strong> a dun color." <strong>The</strong> animal is <strong>of</strong> a dan color, <strong>and</strong> bears a conspicuous<br />

snow-white mark, probably on his forehead. Niveus videri. A<br />

Grsecism, the infinitive for the latter supine.<br />

Ode III. <strong>The</strong> bard addresses Melpomene, as the patroness <strong>of</strong> lyric<br />

verse. To her he ascribes his poetic inspiration, to her the honours which<br />

he enjoys among his countrymen; <strong>and</strong> to her he now pays the debt <strong>of</strong><br />

gratitude in this beautifal ode.<br />

1-24. 1. Q,uemtu,Mdpomene,ii.a. "Him on whom thou, Melpomene,<br />

mayest have looked <strong>with</strong> a favoring eye, at the hour <strong>of</strong> his nativity."<br />

3. Labor isthmius. "<strong>The</strong> Isthmian contest.". <strong>The</strong> Isthmian, celebrated<br />

at the Isthmus <strong>of</strong> Corinth, in honor <strong>of</strong> Neptune, are here put for any games.<br />

—i. Clarabit pugilem. " Shall render illnstrious as a pugilist."—5. Cmmt<br />

Achaieo. " In a Grecian chariot." An allusion to victory in the chariot,<br />

race. <strong>The</strong> whole <strong>of</strong> lower Greece was at this time called Achaia by the<br />

Romans, so that the allusion here is to the Grecian games in general.<br />

—S.Resbellica. "Some warlike exploit." Veliisfoliis. "WiththeDe-<br />

lian leaves," i. e., <strong>with</strong> the bay, which was sacred to Apollo, whose natal<br />

plaqe was the Isle <strong>of</strong> Delos.—8. Quod regum tumidas, &c. "Tor having<br />

crushed the haughty threats <strong>of</strong> kings."—10. Prafiuunt. "Bca prater-<br />

Jiuunt. " Flow by." <strong>The</strong> common text has perjluunt, " flow through."<br />

<strong>The</strong> reference is to the waters <strong>of</strong> the Anio. Consult, as regards Tibur<br />

<strong>and</strong> the Anio, the note on Ode i., 7, 13.—12. Fingent ./Eolio, &c. Tho<br />

idea meant to he conveyed is this, that the beautiful scenery around<br />

Tibur, <strong>and</strong> the peaceful leisure there enjoyed, will enable the poet to cul-<br />

tivate his lyric powers <strong>with</strong> so much success as, under the favoring influence<br />

<strong>of</strong> the Muse, to elicit the admiration both <strong>of</strong> the present <strong>and</strong> coming<br />

age. As regards the expression JEolio carmine, consult note on Ode<br />

iii., 30, 13.—13. RonitB, princvpU urMum, &c. " <strong>The</strong> <strong>of</strong>fspringv<strong>of</strong> Borne,<br />

queen <strong>of</strong> cities." By the " <strong>of</strong>fspring <strong>of</strong> Rome" are meant the Romans<br />

themselves.— ^17. O testudinis anrece, &c. "O Muse, that rulest the<br />

sweet melody <strong>of</strong> the golden shell." Consult <strong>notes</strong> on Odes iii., 4, 40, <strong>and</strong><br />

i.lO 6. W. Cycni sonum. "<strong>The</strong> melody <strong>of</strong> the dying swan." Consult<br />

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