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The works of Horace : with English notes, critical and ... - Cristo Raul

The works of Horace : with English notes, critical and ... - Cristo Raul

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hex METRES OF HOKACB.<br />

CfraiO I P§rrhd sM \<br />

antra.<br />

Other poets, however, make the first foot sometimes a tro<br />

chee or an anapaest, rarely an iambus.<br />

16. CHORIAMBIC DIMETER.<br />

<strong>The</strong> choriambic dimeter consists <strong>of</strong> a choriambns <strong>and</strong> a bac-<br />

chlus ; as,<br />

Lydld, die, | per omnes.<br />

This measure occurs once in <strong>Horace</strong>, in conjunction <strong>with</strong> an-<br />

other species <strong>of</strong> choriambic verse.<br />

17. IONIC a minore.<br />

Ionic verses are <strong>of</strong> two kinds, the. Ionic a majore <strong>and</strong> the lonie<br />

o minore, called likewise lonicus Major <strong>and</strong> Ibjiicus Minor, <strong>and</strong>'<br />

so denominated from the feet or measures <strong>of</strong> which they are<br />

respectively composed.<br />

<strong>The</strong> Ionic a minore is composed entirely <strong>of</strong> the foot or meas-<br />

ure <strong>of</strong> that name, <strong>and</strong>. which consists <strong>of</strong> a pyrrhic <strong>and</strong> a spondee,<br />

as ddc&tsslnt. It is not restricted to any pai'ticular number <strong>of</strong><br />

feet or measures, but may be extended to any length, provided<br />

only that, <strong>with</strong> due attention to synapheia, the final syllable <strong>of</strong><br />

the spondee in each measure be either naturally long, or made<br />

<strong>and</strong> that each sentence<br />

long by the concourse <strong>of</strong> consonants ;<br />

or period terminate <strong>with</strong> a complete measure, having the spon-<br />

dee for its close.<br />

<strong>Horace</strong> has used this measure but once (Qarm. iii., 12), <strong>and</strong><br />

great difference <strong>of</strong> opinion exists as to the true mode <strong>of</strong> arrang-<br />

ing the ode in which it occurs. If we follow, however, the au-<br />

thority <strong>of</strong> the ancient grammarians, <strong>and</strong> particularly <strong>of</strong> Terenti-<br />

anus Maurus, it will appear that Ihe true division is into stro-<br />

phes ;<br />

<strong>and</strong>, consequently, that Cuningam {Animadv. in HoraU,<br />

Bentl., p. 315) is wrong in supposing that the ode in question<br />

was intended to run on in one continued train <strong>of</strong> independent<br />

tetrameters. Cuningam's ostensible reason for this aiTangement<br />

is, that Martianus Capella (i?« Nwpt. Philol., lib. 4, cap.<br />

ult) has composed an Ionic poem divided into tetrameters : the<br />

true cause would appear to be his opposition tb Bentley. This<br />

latter critic has distributed the ode into four strophes, each con-<br />

sisting <strong>of</strong> ten feet ; or, in other words, <strong>of</strong> two tetrameters follow

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