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The works of Horace : with English notes, critical and ... - Cristo Raul

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638 EXPLANATOEY NOTES.' BOOK 11., EPISTLE II.<br />

lasion is to <strong>works</strong> in marble <strong>and</strong> ivory.— Tyrrhena tigilla. "Btruscao<br />

Btataettes." <strong>The</strong>se were bronze images <strong>of</strong> the gods, about a foot or a foot<br />

<strong>and</strong> a half high, for the manufactnre <strong>of</strong>which the Etrurians were celebrated.—<br />

roieJias. "Paintings." Supply pietae.—181. Argentum. Vases,<br />

<strong>and</strong> other like articles, <strong>of</strong> silver are meant. Vestes Oatulo murice tinctas.<br />

" Coverings <strong>and</strong> tapestry stained <strong>with</strong> GBBtnlian purple." By mstet are<br />

here meant the coverings <strong>of</strong> couches {pestes stragula), <strong>and</strong> hangings for<br />

the walls <strong>of</strong> banqueting-rooms, 4;c. {panpeiasmata).—Geetiilo mmice: G»tulia,<br />

a part <strong>of</strong> Africa, is here put for the whole country. Consult note on<br />

Ode i., 23, 10, <strong>and</strong>, as regards the people here spoken <strong>of</strong>. Ode ii., 16, 35.—<br />

182. Est qui non curat habere. To show how unnecessary these-things<br />

are, the poet says there are many people who never give themselves any<br />

trouble or concern about them. <strong>The</strong> indicative aiter est qui is an imitation<br />

<strong>of</strong> the Greek idiom.<br />

183-189. 183. Cur alter fratnim cessare, &o. <strong>The</strong> connection in the<br />

train <strong>of</strong> ideas is as follows : <strong>The</strong> dispositions <strong>of</strong> men are widely at variance<br />

<strong>with</strong> each other, <strong>and</strong> this discrepancy shows itself even in the case<br />

<strong>of</strong> brothers ; for it <strong>of</strong>ten happens that one is a careless <strong>and</strong> effeminate<br />

prodigal, the other a close <strong>and</strong> toiling miser. Why this is so is a secret<br />

known only to the Genius who presides at our birth, <strong>and</strong> guides the course<br />

<strong>of</strong> our existence. Cessare et ludere et ungi. <strong>The</strong> infinitives here must<br />

" Idleness, <strong>and</strong> pleasure, <strong>and</strong> per-<br />

be rendered in our idiom by nouns :<br />

fumes."—184. Herodis palmetis pinguibus. " Tc 4he rich palm-groves <strong>of</strong><br />

Herod." <strong>The</strong>se were in the country around Jericho (named the City <strong>of</strong><br />

Palm-trees, Dent., xxxiv., 3), <strong>and</strong> were regarded as constituting some <strong>of</strong><br />

the richest possessions <strong>of</strong> the Jewish monarch.—185. Importunus. "Restless."<br />

Ad umbram lucis ab ortu. " From the dawn <strong>of</strong>day to the shades<br />

<strong>of</strong> evening." — 186. Silvestrem. " Overrun <strong>with</strong> underwodd." Mitiget.<br />

" Subdues," i. e., clears, <strong>and</strong> renders productive.—187. Seit Genius, natalA<br />

comes qui temperat astrum, Sec. This is generally regarded as the locus<br />

classicus respecting the ideas entertained by the ancients relative to what<br />

they considered the Genias <strong>of</strong> each individual. We learn from it the following<br />

particulars : 1. <strong>The</strong> Genias was supposed to accompany a person<br />

wherever he went. 2. He governed the horoscope <strong>of</strong> the party [nalak<br />

temperavit astrvm), exerting himself to avert any evil whioK^ one's natal<br />

star might portend^ or to promote any good which it might indicate. 3. He<br />

is styled ^*Nafuris deus kumanee" because he lives <strong>and</strong> dies <strong>with</strong> us. 4. He<br />

is angry if we oppose or resist his influence, but mild <strong>and</strong> gentle if we<br />

submit to his sway [mutabilis, albus et ater).— Natale comes qui fsmperat<br />

astrum. "Our constant attendant, who governs our horoscope," — 188.<br />

Natura deus humante, mortalts, &c. " <strong>The</strong> god <strong>of</strong> human nature, who<br />

dies <strong>with</strong> each individual ; mutable <strong>of</strong> aspect, benign, or <strong>of</strong>fended." <strong>The</strong><br />

expression, mortalis in unum -quodque eapui is added by the poet for t^e<br />

purpose <strong>of</strong> explaining the words ndtura deus humane, i. e., the god who,<br />

equally <strong>with</strong> man, is subject to the power <strong>of</strong> Death.—189. Vultu mutabi-<br />

lis, albus et ater. Compare note on verse 187, toward the end.<br />

190-197. 190. Utar. " I will, therefore, enjoy What I at present have.'<br />

Underst<strong>and</strong> quasitis.—Ex moiico acenio. " From' my little heap."—191.<br />

Nee m^tuam, quid de mejudicet heres, ico. " Nor vrill I care what opinion<br />

my heir may form <strong>of</strong> me, from his having fonnd no more left to him thai'<br />

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