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The works of Horace : with English notes, critical and ... - Cristo Raul

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EXPLANATORY NOTES. EFODE IX. 405<br />

1-15. 1 Repostum Cacubum adfestas dapes. " Cteouban wine, stored<br />

Bway for joyous feasts," t". c, put away in some inner <strong>and</strong> secret crypt,<br />

<strong>and</strong> purposely preserved for some joyons occasion. Consult note on Ode<br />

i., 20, ».—3. Sub alia domo. " Beneath thy stately abode." Consult note<br />

on Ode iii., 29, 10. Sic Jovi gratum. " So is it pleasing to Jove," i. e.,<br />

in doing this, we shall be performing an act agreeable to Jove, the guardian<br />

<strong>of</strong> our empire.— 4. Beate. This epithet has reference to the opulence<br />

<strong>of</strong> Mfficenas, to his l<strong>of</strong>ty abode 6n the Esquiline (alta domus), his beautiful<br />

gardens, &e.—5. Sonants mixtum tibiis, &c. "While the lyre sends<br />

forth a strain intermingled <strong>with</strong> the music <strong>of</strong> flutes, that uttering the Dorian,<br />

these the Phrygian mood." With hoc underst<strong>and</strong> sonante; <strong>with</strong><br />

Mis, sonantibus. <strong>The</strong> music <strong>of</strong> the lyre <strong>and</strong> the flute are to succeed each<br />

other alteiTiately :<br />

the strains <strong>of</strong> the former are to be grave <strong>and</strong> severe,<br />

such being the character <strong>of</strong> the Dorian mood ; the music <strong>of</strong> the flutes, on<br />

the other h<strong>and</strong>, is to be <strong>of</strong> a wild <strong>and</strong> bacchic character, in accordance<br />

<strong>with</strong> the Phrygian mood. Donkin, in explanation <strong>of</strong> this passage, remarks<br />

as follows : " If the ancient Dorian <strong>and</strong> Lydian octave were employed,<br />

the former being <strong>of</strong> the fourth species, while the latter was <strong>of</strong> the second,<br />

<strong>and</strong> pitched two tones higher, the series <strong>of</strong> intervals beard would consist<br />

<strong>of</strong> fourths <strong>and</strong> major thirds, or rather double tones."—7. Actus cum freio<br />

NeptuMus dux, " When the Neptunian chiefl driven from the Sicilian<br />

strait." <strong>The</strong> allusion is to Sextus Pompeins, who boastingly styled himself<br />

the son <strong>of</strong> Neptune, because his father had once held the comm<strong>and</strong><br />

<strong>of</strong> the sea. Agrippa, in B.C. 36, defeated him oiF the northern coast <strong>of</strong><br />

Sicily, <strong>of</strong>f Myloe^ <strong>and</strong> again <strong>of</strong>fKaulochus.—10. Semis amicus perfidis. Ac<br />

cording to Dio Cassius (xlviii., 19), the number <strong>of</strong> fugitive slaves who went<br />

over to Fompeius was so great, that the Vestal Virgins were accustomed,<br />

during the performance <strong>of</strong> sacred rites, to <strong>of</strong>fer up prayers for a cea<br />

sation <strong>of</strong> this evil.—11. Romanus. <strong>The</strong> allusion is to the Komans in the<br />

army <strong>of</strong> Antony.—12. Emancipatus fimintc. " Subjected as a voluntary<br />

slave to a woman." <strong>The</strong> reference is to Cleopatra.—13. Fert vallum ei<br />

arma miles, ^. " Bears the stake <strong>and</strong> arms as a soldier, <strong>and</strong> can yield<br />

obedience to <strong>with</strong>ered eunuchs." <strong>The</strong> poet expresses his indignation,<br />

that Romans, hardy enough to endure the toils <strong>of</strong> military service, can, at<br />

the same time, be so wanting in spirit as to yield obedience to the orders<br />

<strong>of</strong> eunnchs. <strong>The</strong> allusion, in the words /er< vallum, is to that part <strong>of</strong> Roman<br />

discipline which compelled each soldier to carry, among other things,<br />

a certain nuihber <strong>of</strong> stakes (usually three or four) to be used in encamping.<br />

Spadonibus, <strong>The</strong> allusion seems to be principally to the eunucl<br />

Mardion, who, according to Plutarch, along <strong>with</strong> Pothtnus, Iras, <strong>and</strong> Char<br />

mion, had the chief direction <strong>of</strong> Cleopatra's afbirs (iij)' iiv Ta /iiyiiTTa<br />

iiomelTdi Tijc iye/ioviag. Pint., Vit. Ant., c. Ix-, vol. vi., p. 132, ed. Hnt<br />

ten^— ^15.* Turpe conopium. '* A vile Egyptian canopy." <strong>The</strong> conopium<br />

was a canopy, curtain, or veil <strong>of</strong> net-work, used for the purpose <strong>of</strong> keep<br />

ing <strong>of</strong>f gnats <strong>and</strong> flies. It was principally employed by the Egyptians<br />

on account <strong>of</strong> the great number <strong>of</strong> these insects produced by the marshes<br />

<strong>of</strong> the Nile. <strong>The</strong> scholiast, in his explanation <strong>of</strong> the term, furnishes us<br />

<strong>with</strong> its etymology : " Genus retis ad muscas et eulices (xuvuira;) abigendos,<br />

qno Alex<strong>and</strong>rini potissimum utantnr propter eulicum illic abundantiam."<br />

To a genuine Roman spirit the use <strong>of</strong> such an article appeared<br />

degrading effeminacy.

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