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The works of Horace : with English notes, critical and ... - Cristo Raul

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BOOK III.<br />

Ode L <strong>The</strong> general train <strong>of</strong> thoagbt in this heaatiful Ode is simply as<br />

follows : Trae happiness consists not in the possession <strong>of</strong> power, <strong>of</strong> pablic<br />

honors, or <strong>of</strong> extensive riches, hat in a tranquil <strong>and</strong> contented mind.<br />

1-4. 1. Odipr<strong>of</strong>anumtfulgiLSiSLC. " I hate the uninitiated crowd, <strong>and</strong><br />

I keep them at a distance." Speaking as the priest <strong>of</strong> the Muses, <strong>and</strong> being<br />

about to disclose their sacred mysteries (in other words, the precepts<br />

<strong>of</strong> true wisdom] to the favored few, the poet imitates the form <strong>of</strong> language<br />

hy which the uninitiated <strong>and</strong> pr<strong>of</strong>ane were directed to retire from the<br />

mystic rites <strong>of</strong> the gods. <strong>The</strong> rales <strong>of</strong> a happy life can not he comprehended<br />

<strong>and</strong> may be abused by the crowd.—2. Favete Unguis. "Preserve<br />

a religions silence." Literally, " favor me <strong>with</strong> your tongues." We have<br />

here another form <strong>of</strong> words, by which silence <strong>and</strong> attention were enjoined<br />

on the true worshippers. This was required, not only from a principle<br />

<strong>of</strong> religioas respect, bat also lest some ill-omened expression might casual-<br />

ly fall from those who were .present, <strong>and</strong> mar the solemnities <strong>of</strong> the oc-<br />

casion. Compare the Greek eitipijfielTe'—Carmina non prius audita.<br />

"Strains before anheard." <strong>The</strong>re appears to be even here an allusion to<br />

the language <strong>and</strong> forms <strong>of</strong> the mysteries in which new <strong>and</strong> important<br />

truths were promised to be disclosed.— 4. Virginibus puerisgue canto.<br />

<strong>The</strong> poet supposes himself to be dictating his strains to a choras <strong>of</strong> virgins<br />

<strong>and</strong> youths. Stripped <strong>of</strong> its fieurative garb, the Idea intended to be conveyed<br />

will be simply this : that the bard wishes his precepts <strong>of</strong> a happy<br />

life to be carefully treasured up by the young.<br />

5-14. 5. Regum timendorum, Soc. <strong>The</strong> poet now unfolds his subject.<br />

Kings, he observes, are elevated far above the ordinary ranks <strong>of</strong> men, bat<br />

Jove is mightier than kings themselves, <strong>and</strong> can in an instant humble<br />

their power in the dust. Royalty, therefore, carries <strong>with</strong> it no peculiar<br />

claims to the enjoyment <strong>of</strong> happiness. Inproprios greges. "Over their<br />

own flocks." Kings are the shepherds <strong>of</strong> their people.—9. Cuncta supercilio<br />

moventis. "Who shakes the universe <strong>with</strong> his nod." Compare<br />

Homer, /^.,-,i., 528.—9. Est ut viro vir^ &c. " It happens that one man<br />

arranges his trees at greater distances in the trenches than another,"<br />

i. e., possesses wider domains. <strong>The</strong> Romans were accustomed to plant<br />

their vines, olive-trees, &c., in trenches or small pits. Some editions have<br />

Esto for Est : " Grant that one man," &.c., or " suppose that."—10. Hie<br />

generosior descendaU &c. "That this one descends into the Campus Martias<br />

a nobler applicant for <strong>of</strong>fice."—12. Moribus hie meliorquefama, &c:<br />

Alluding to the novus homo, or man <strong>of</strong> ignoble birth.—14. ^qua lege NecessitaSf<br />

Sec,. « Still, Necessity, by an impartial law, draws forth the lots<br />

<strong>of</strong> the high <strong>and</strong> the lowly; the capacious urn keeps in constant agitation<br />

the names <strong>of</strong> all." Necessity is here represented holding her capacious<br />

urn containing the names <strong>of</strong> all. She keeps the urn in constant agitation,<br />

<strong>and</strong> the lots that come forth from it every instant are the signals <strong>of</strong> death<br />

to the individuals whose names are inscribed on them. <strong>The</strong> train cf<br />

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