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The works of Horace : with English notes, critical and ... - Cristo Raul

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Ixviii<br />

METRES OP HORACE.<br />

taking place only between the third Sapphic <strong>and</strong> the concluding<br />

Adonic,' has induced an eminent prosodian (Di-. Carey) to en-<br />

tertain the opinion that neither Sappho, nor Catullus, nor Hor-<br />

ace ever intended the stanza to consist <strong>of</strong> four separate verses,<br />

but wrote it as three, viz., two five-foot Sapphics <strong>and</strong> one <strong>of</strong><br />

seven feet, (including the Adonic) ; the fifth foot <strong>of</strong> the long<br />

verse being indiscriminately either a spondee or a trochee.<br />

<strong>The</strong> ordinary mode <strong>of</strong> reading the Sapphic verse has at length<br />

begun to be ab<strong>and</strong>oned, <strong>and</strong> the more correct one substituted,<br />

which is as follows :<br />

<strong>The</strong>re is still, however, as has been remarked, some doubt<br />

which <strong>of</strong> the accented syllables ought to have the stronger ac-<br />

cent <strong>and</strong> which the weaker. (Consult Journal <strong>of</strong> Education,<br />

vol. iv., p. 356 ; Penny Cyclopiedia, art. Arsis.)<br />

11. CHORIAMBIC PENTAMETER.<br />

<strong>The</strong> choriambic pentameter consists <strong>of</strong> a spondee, three chor-<br />

iambi, <strong>and</strong> an iambus ;<br />

as,<br />

Ta ne queeslerls, I<br />

| s(yire nefds, quSm mXhl, quem | till.<br />

|<br />

12. ALTERED CHORIAMBIC TETRAMETER.<br />

<strong>The</strong> proper choriambic tetrameter consists <strong>of</strong> three choriam<br />

bi <strong>and</strong> a bacchius (i. e., an iambus <strong>and</strong> a long syllable) ; as,<br />

Jane pdtlr, | Jdni tuens, | dlvS hiceps, | Mformls.<br />

(Sept. Serenas.)<br />

<strong>Horace</strong>, however, made an alteration, though not an improve-<br />

ment, by substituting a spondee instead <strong>of</strong> an iambus in the first<br />

measure, thus changing the choriambus into a second epitrite,<br />

viz.,<br />

Te dios 0\r5 Sybdrin | ciir prSpSres | dm<strong>and</strong>o.<br />

<strong>The</strong> choriambic tetrameter, in its original state, was called<br />

1. <strong>The</strong> divisiona wWch take place between the other lines <strong>of</strong> the Sapphic stanza,<br />

when they are not common cases <strong>of</strong> synapheia (as in <strong>Horace</strong>, Cflnn. ii., 2, 18), will<br />

be found to regard cmipcmtid words only, <strong>and</strong> not s^pU ones. <strong>The</strong> nde <strong>of</strong> Hor-<br />

ace (iv., S) which begins<br />

Findarum quisguis atudet amulari<br />

Xule—<br />

furnishes no exception to this remark. A synteresis operates in 7u2e, which must<br />

be read as if written Tide.

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