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Russel-Research-Method-in-Anthropology

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<strong>Anthropology</strong> and the<br />

Social Sciences<br />

The Craft of <strong>Research</strong><br />

This book is about research methods <strong>in</strong> anthropology—methods for<br />

design<strong>in</strong>g research, methods for sampl<strong>in</strong>g, methods for collect<strong>in</strong>g data,<br />

and methods for analyz<strong>in</strong>g data. And <strong>in</strong> anthropology, this all has to be done<br />

twice, once for qualitative data and once for quantitative data.<br />

No one is expert <strong>in</strong> all the methods for research. But by the time you get<br />

through this book, you’ll know about the range of methods used <strong>in</strong> anthropology<br />

and you’ll know which k<strong>in</strong>ds of research problems are best addressed by<br />

which methods.<br />

<strong>Research</strong> is a craft. I’m not talk<strong>in</strong>g analogy here. <strong>Research</strong> isn’t like a craft.<br />

It is a craft. If you know what people have to go through to become skilled<br />

carpenters or makers of clothes, you have some idea of what it takes to learn<br />

the skills for do<strong>in</strong>g research. It takes practice, practice, and more practice.<br />

Have you ever known a professional seamstress? My wife and I were do<strong>in</strong>g<br />

fieldwork <strong>in</strong> Ixmiquilpan, a small town <strong>in</strong> the state of Hidalgo, Mexico, <strong>in</strong><br />

1962 when we met Florencia. She made dresses for little girls—Communion<br />

dresses, mostly. Mothers would br<strong>in</strong>g their girls to Florencia’s house. Florencia<br />

would look at the girls and say ‘‘turn around . . . turn aga<strong>in</strong> . . . OK,’’ and<br />

that was that. The mother and daughter would leave, and Florencia would start<br />

mak<strong>in</strong>g a dress. No pattern, no elaborate measurement. There would be one<br />

fitt<strong>in</strong>g to make some adjustments, and that was it.<br />

Carole and I were amazed at Florencia’s ability to pick up a scissors and<br />

start cutt<strong>in</strong>g fabric without a pattern. Then, 2 years later, <strong>in</strong> 1964, we went to<br />

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