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Qualitative Data Analysis I: Text Analysis 497<br />

TABLE 17.2<br />

Kurasaki’s Cod<strong>in</strong>g Scheme for Her Study of Ethnic Identity among Sansei <strong>in</strong> California<br />

First-Order Category Second-Order Category Numeric Code<br />

Sense of history and Sense of hav<strong>in</strong>g a Japanese heritage 1.1<br />

roots<br />

Sense of hav<strong>in</strong>g a Japanese American social<br />

history 1.2<br />

Values and ways of Japanese American values and attitudes 2.1<br />

do<strong>in</strong>g th<strong>in</strong>gs Practice of Japanese customs 2.2<br />

Japanese way of do<strong>in</strong>g th<strong>in</strong>gs 2.3<br />

Japanese American <strong>in</strong>terpersonal or<br />

communication styles 2.4<br />

Japanese language proficiency 2.5<br />

Biculturality Integration or bicultural competence 3.1<br />

Bicultural conflict or confusion 3.2<br />

Sense of belong<strong>in</strong>g Sense of a global ethnic or racial community 4.1<br />

Sense of <strong>in</strong>terpersonal connectedness with<br />

same ethnicity or race of others 4.2<br />

Sense of <strong>in</strong>tellectual connectedness with<br />

other ethnic or racial m<strong>in</strong>orities 4.3<br />

Search<strong>in</strong>g for a sense of community 4.4<br />

Sense of alienation<br />

Self-concept<br />

Sense of alienation from ascribed ethnic or<br />

racial group 5.1<br />

Sense of comfort with one’s ethnic or racial<br />

self 6.1<br />

Search<strong>in</strong>g for a sense of comfort with one’s<br />

ethnic or racial self 6.2<br />

Worldview Social consciousness 7.1<br />

Sense of oppression 7.2<br />

SOURCE: ‘‘Ethnic Identity and Its Development among Third-Generation Japanese Americans’’ by K. S. Kurasaki,<br />

1997. Ph.D. diss., Department of Psychology, DePaul University.<br />

Table 17.4 shows a piece of the data matrix produced by Nyamongo’s cod<strong>in</strong>g<br />

of the 35 narratives.<br />

Build<strong>in</strong>g Conceptual Models by Memo<strong>in</strong>g<br />

Once you have a set of themes coded <strong>in</strong> a set of texts, the next step is to<br />

identify how themes are l<strong>in</strong>ked to each other <strong>in</strong> a theoretical model (Miles and<br />

Huberman 1994:134–137).

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