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Russel-Research-Method-in-Anthropology

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Qualitative Data Analysis I: Text Analysis 483<br />

Marriages are ideally last<strong>in</strong>g, shared and mutually beneficial. . . . Benefit is a<br />

matter of fulfillment. . . . Fulfillment and, more specifically, the compatibility it<br />

requires, are difficult to realize but this difficulty can be overcome, and compatibility<br />

and fulfillment achieved, with effort. Last<strong>in</strong>g marriages <strong>in</strong> which difficulty<br />

has been overcome by effort are regarded as successful ones. Incompatibility,<br />

lack of benefit, and the result<strong>in</strong>g marital difficulty, if not overcome, put a marriage<br />

at risk of failure. (Qu<strong>in</strong>n 1997:164)<br />

The Mexican folktale schema. Holly Mathews (1992) collected 60 tell<strong>in</strong>gs<br />

of La Llorona (the weep<strong>in</strong>g woman), a morality tale told across Mexico. Here<br />

is one tell<strong>in</strong>g, which Mathews says is typical:<br />

La Llorona was a bad woman who married a good man. They had children and<br />

all was well. Then one day she went crazy and began to walk the streets. Everyone<br />

knew but her husband. When he found out he beat her. She had much shame.<br />

The next day she walked <strong>in</strong>to the river and drowned herself. And now she knows<br />

no rest and must forever wander the streets wail<strong>in</strong>g <strong>in</strong> the night. And that is why<br />

women must never leave their families to walk the streets look<strong>in</strong>g for men. If they<br />

are not careful they will end up like La Llorona. (p. 128)<br />

In another tell<strong>in</strong>g, La Llorona kills herself because her husband becomes a<br />

drunk and loses all their money. In yet another, she kills herself because her<br />

husband is seen go<strong>in</strong>g with other women and La Llorona, <strong>in</strong> disbelief, f<strong>in</strong>ally<br />

catches him pay<strong>in</strong>g off a woman <strong>in</strong> the streets.<br />

Mathews found that men and women tended to emphasize different th<strong>in</strong>gs<br />

<strong>in</strong> the story, but the woman always w<strong>in</strong>ds up kill<strong>in</strong>g herself, no matter who<br />

tells it. The morality tale succeeds <strong>in</strong> shap<strong>in</strong>g people’s behavior, she says,<br />

because the motives of the characters <strong>in</strong> the story conform to a schema, shared<br />

by men and women alike, about how men and women see each other’s fundamental<br />

nature (ibid.:129).<br />

Men, accord<strong>in</strong>g to Mathews’s understand<strong>in</strong>g of the cultural model <strong>in</strong> rural<br />

Mexico, view women as sexually uncontrolled. Unless they are controlled, or<br />

control themselves, their true nature will emerge and they will beg<strong>in</strong> (as the<br />

story says) to ‘‘walk the streets’’ <strong>in</strong> search of sexual gratification. Men, for<br />

their part, are viewed by women as sexually <strong>in</strong>satiable. Men are driven, like<br />

animals, to satisfy their desires, even at the expense of family obligations. In<br />

her grammar of the La Llorona tales, Mathews shows that women have no<br />

recourse but to kill themselves when they cannot make their marriages work.<br />

Mathews goes beyond identify<strong>in</strong>g the schema and tries to expla<strong>in</strong> where the<br />

schema comes from. Most marriages <strong>in</strong> the village where Mathews did her<br />

research (<strong>in</strong> the state of Oaxaca) are arranged by parents and <strong>in</strong>volve some<br />

exchange of resources between the families. Once resources like land are

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