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Russel-Research-Method-in-Anthropology

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218 Chapter 9<br />

The Silent Probe<br />

The most difficult technique to learn is the silent probe, which consists of<br />

just rema<strong>in</strong><strong>in</strong>g quiet and wait<strong>in</strong>g for an <strong>in</strong>formant to cont<strong>in</strong>ue. The silence may<br />

be accompanied by a nod or by a mumbled ‘‘uh-huh’’ as you focus on your<br />

note pad. The silent probe sometimes produces more <strong>in</strong>formation than does<br />

direct question<strong>in</strong>g. At least at the beg<strong>in</strong>n<strong>in</strong>g of an <strong>in</strong>terview, <strong>in</strong>formants look<br />

to you for guidance as to whether or not they’re on the right track. They want<br />

to know whether they’re ‘‘giv<strong>in</strong>g you what you want.’’ Most of the time, especially<br />

<strong>in</strong> unstructured <strong>in</strong>terviews, you want the <strong>in</strong>formant to def<strong>in</strong>e the relevant<br />

<strong>in</strong>formation.<br />

Some <strong>in</strong>formants are more glib than others and require very little prodd<strong>in</strong>g<br />

to keep up the flow of <strong>in</strong>formation. Others are more reflective and take their<br />

time. Inexperienced <strong>in</strong>terviewers tend to jump <strong>in</strong> with verbal probes as soon<br />

as an <strong>in</strong>formant goes silent. Meanwhile, the <strong>in</strong>formant may be just reflect<strong>in</strong>g,<br />

gather<strong>in</strong>g thoughts, and prepar<strong>in</strong>g to say someth<strong>in</strong>g important. You can kill<br />

those moments (and there are a lot of them) with your <strong>in</strong>terruptions.<br />

Glibness can be a matter of cultural, not just personal style. Gordon Streib<br />

reports that he had to adjust his own <strong>in</strong>terview<strong>in</strong>g style radically when he left<br />

New York City to study the Navajo <strong>in</strong> the 1950s (Streib 1952). Streib, a New<br />

Yorker himself, had done studies based on semistructured <strong>in</strong>terviews with subway<br />

workers <strong>in</strong> New York. Those workers ma<strong>in</strong>ta<strong>in</strong>ed a fast, hard-driv<strong>in</strong>g pace<br />

dur<strong>in</strong>g the <strong>in</strong>terviews—a pace with which Streib, as a member of the culture,<br />

was comfortable.<br />

But that style was entirely <strong>in</strong>appropriate with the Navajo, who were uniformly<br />

more reflective than the subway workers (Streib, personal communication).<br />

In other words, the silent probe is sometimes not a ‘‘probe’’ at all; be<strong>in</strong>g<br />

quiet and wait<strong>in</strong>g for an <strong>in</strong>formant to cont<strong>in</strong>ue may simply be appropriate cultural<br />

behavior.<br />

On the other hand, the silent probe is a high-risk technique, which is why<br />

beg<strong>in</strong>ners avoid it. If an <strong>in</strong>formant is genu<strong>in</strong>ely at the end of a thought and<br />

you don’t provide further guidance, your silence can become awkward. You<br />

may even lose your credibility as an <strong>in</strong>terviewer. The silent probe takes practice<br />

to use effectively. But it’s worth the effort.<br />

The Echo Probe<br />

Another k<strong>in</strong>d of probe consists of simply repeat<strong>in</strong>g the last th<strong>in</strong>g someone<br />

has said, and ask<strong>in</strong>g them to cont<strong>in</strong>ue. This echo probe is particularly useful<br />

when an <strong>in</strong>formant is describ<strong>in</strong>g a process, or an event. ‘‘I see. The goat’s<br />

throat is cut and the blood is dra<strong>in</strong>ed <strong>in</strong>to a pan for cook<strong>in</strong>g with the meat.

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