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Russel-Research-Method-in-Anthropology

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464 Chapter 17<br />

sets available for time series analysis. But longitud<strong>in</strong>al qualitative data are also<br />

plentiful. For a w<strong>in</strong>dow on American popular culture, for example, take a look<br />

at the themes dealt with <strong>in</strong> country music and <strong>in</strong> Superman comics over the<br />

years. Or look at sitcoms from the 1950s and those made today.<br />

In the 1950s, for example, Lucille Ball created a furor when she got pregnant<br />

and dared to cont<strong>in</strong>ue mak<strong>in</strong>g episodes of the I Love Lucy show. Now<br />

th<strong>in</strong>k about any episode of Will and Grace or Sex and the City. Or scan some<br />

of the recent episodes of popular soap operas and compare them to episodes<br />

from 30 years ago. Today’s sitcoms and soaps conta<strong>in</strong> many more sexual <strong>in</strong>nuendos.<br />

How many more? If you really wanted to measure that, you could code two<br />

representative samples of sitcoms and soaps, one from the 1950s and another<br />

from the last 10 years, and compare the codes statistically. That’s content<br />

analysis.<br />

Interpretivists, on the other hand, might be more <strong>in</strong>terested <strong>in</strong> understand<strong>in</strong>g<br />

the mean<strong>in</strong>g across time of concepts like ‘‘flirtation,’’ ‘‘deceit,’’ ‘‘betrayal,’’<br />

‘‘sensuality,’’ and ‘‘love,’’ or the narrative mechanisms by which any of these<br />

concepts is displayed or responded to by various characters.<br />

Text analysis is for positivists and <strong>in</strong>terpretivists alike. Both k<strong>in</strong>ds of text<br />

analysis are easier to do today, with <strong>in</strong>expensive, easy-to-use software for<br />

manag<strong>in</strong>g, cod<strong>in</strong>g, and retriev<strong>in</strong>g texts.<br />

The Great <strong>Anthropology</strong> Text Tradition<br />

We’ll get to text analysis later, but first I want to tell you about the great<br />

tradition of text collection <strong>in</strong> anthropology. Anthropologists have been big<br />

producers and collectors of texts, right from the beg<strong>in</strong>n<strong>in</strong>g of the discipl<strong>in</strong>e.<br />

In 1881, Adolph Bastian argued that, with <strong>in</strong>digenous cultures of the world<br />

disappear<strong>in</strong>g fast, ‘‘our guid<strong>in</strong>g pr<strong>in</strong>ciple . . . <strong>in</strong> anthropology, prehistory, or<br />

ethnology should be to collect everyth<strong>in</strong>g’’ (Bastian 1881:217; cited <strong>in</strong> Bunzl<br />

1996:48).<br />

For Franz Boas, Bastian’s young colleague at the Berl<strong>in</strong> Museum, that<br />

meant collect<strong>in</strong>g texts, and more texts, about the <strong>in</strong>digenous cultures of the<br />

world, <strong>in</strong> the native languages of those cultures. Boas tra<strong>in</strong>ed his students<br />

(Kroeber, Lowie, Sapir, etc.) to collect verbatim text <strong>in</strong> as many <strong>in</strong>digenous<br />

American languages as they could reach.<br />

This was really tough to do before voice recorders were <strong>in</strong>vented, but that<br />

first generation of American anthropologists persevered and made use of every<br />

new technology they could to produce texts and more texts. In 1936, Margaret<br />

Mead and Gregory Bateson hauled heavy movie cameras to Bali and, with

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