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7<br />
Summary<br />
Perspectives on the Reconstruction of lost<br />
Buildings and Spaces<br />
The research project analyses the current<br />
discussion on the reconstruction of<br />
buildings and spaces lost mainly during<br />
World War II and in the post-war period<br />
that is currently being held in many cities<br />
throughout Germany, among architects<br />
and preservationists as well as in the editorials<br />
and feature pages. A feature common<br />
to the different projects discussed<br />
and built is the much longer gap lying between<br />
the destruction and the (proposed)<br />
reconstruction in comparison with preceding<br />
similar projects. The phenomenon<br />
is therefore regarded as a separate “wave”<br />
in building culture and as a part of postmodernism.<br />
Analysis into the urban development of<br />
war-damaged German cities shows that<br />
the period of post-war reconstruction ended<br />
by and large in the 1960s, even though –<br />
especially in the German Democratic Republic<br />
(GDR) – construction had not taken<br />
place on every empty site at that time.<br />
Then, post-war modernism prevailed and<br />
restrained reconstruction projects. Those<br />
were later proposed, partly in order to revise<br />
or question the built results of the<br />
modern era that dominated especially the<br />
centres of some of the most severely damaged<br />
cities. In places like Frankfurt (Main)<br />
and Hildesheim such efforts have been<br />
made since the beginning of the 1980s.<br />
In contrast to most of the reconstruction<br />
projects of the post-war period those often<br />
aimed to be as exact a replica of the lost<br />
building as possible – an approach that after<br />
1945 was chosen only for the most important<br />
sites, such as Dresden`s city centre<br />
or the boulevard “Unter den Linden” in<br />
eastern Berlin. After the German reunification<br />
replica-kind reconstructions and<br />
similar projects cumulated. As most – but<br />
not all – of them were located in the former<br />
GDR, some can be regarded as a late completion<br />
of the post-war reconstruction.<br />
Partly, these were long-term projects that<br />
were silently supported by parts of the citizens,<br />
interest groups and societies, but until<br />
recently could not develop any greater<br />
dynamic and had not been publicly or politically<br />
discussed in detail. As reconstruction<br />
projects have increased in numbers<br />
and are spread over almost the whole of<br />
Germany, it is possible to call the current<br />
phenomenon a “wave of reconstruction”.<br />
Though they represent only a small part<br />
of building completions and proposed developments,<br />
they often are key buildings<br />
within the urban structure and therefore<br />
a major focus of local debates on urban<br />
identity.<br />
These projects evolve in a broken continuity<br />
with post-war reconstruction during<br />
which modernism in architecture and<br />
urban design was largely implemented.<br />
Therefore, the current wave of reconstruction<br />
can be understood as a “post-modern”<br />
one. It is based on the resolution () of<br />
modern thinking in architecture and planning,<br />
which for different reasons started<br />
in the 1970s. In a pragmatic approach 1975,<br />
the European Year of architectural Heritage,<br />
has been chosen as the division between<br />
post-war reconstruction (that had<br />
then played only a minor role for some<br />
years) and the on-going wave, which started<br />
quite slowly in the 1980s and became<br />
more powerful during the 1990s. Other elements<br />
that indicate the post-modern nature<br />
of contemporary reconstructions are<br />
described in the research project. In architectural<br />
terms, historic stylistic elements<br />
are used without necessarily being functional<br />
and even if they are mere “quotations”.<br />
Especially those decorated and ornamented<br />
façades gain importance, which<br />
generate an intensive link to the specific<br />
place.<br />
The research project aims at examining<br />
context and character of the post-modern<br />
wave of reconstruction. It tries to explain<br />
how the desire for reconstruction could<br />
evolve, under which circumstances this<br />
desire translated into concrete projects<br />
and why so many of them could be built.<br />
The description of a wave needs to analyse<br />
its appearance as well as its composition,<br />
character and inner dynamic. This further<br />
implies research into the 35 years of<br />
debate about these “belated” reconstructions.<br />
The diversity and variation of arguments<br />
and position shall be described, organised<br />
and placed into a relationship<br />
with other professional discourses as well<br />
as public debates. While most of the professional<br />
and public interest concentrates<br />
on the question of an overarching pattern<br />
of explanation for the current wave of reconstruction,<br />
this will show the origins of