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7<br />

Summary<br />

Perspectives on the Reconstruction of lost<br />

Buildings and Spaces<br />

The research project analyses the current<br />

discussion on the reconstruction of<br />

buildings and spaces lost mainly during<br />

World War II and in the post-war period<br />

that is currently being held in many cities<br />

throughout Germany, among architects<br />

and preservationists as well as in the editorials<br />

and feature pages. A feature common<br />

to the different projects discussed<br />

and built is the much longer gap lying between<br />

the destruction and the (proposed)<br />

reconstruction in comparison with preceding<br />

similar projects. The phenomenon<br />

is therefore regarded as a separate “wave”<br />

in building culture and as a part of postmodernism.<br />

Analysis into the urban development of<br />

war-damaged German cities shows that<br />

the period of post-war reconstruction ended<br />

by and large in the 1960s, even though –<br />

especially in the German Democratic Republic<br />

(GDR) – construction had not taken<br />

place on every empty site at that time.<br />

Then, post-war modernism prevailed and<br />

restrained reconstruction projects. Those<br />

were later proposed, partly in order to revise<br />

or question the built results of the<br />

modern era that dominated especially the<br />

centres of some of the most severely damaged<br />

cities. In places like Frankfurt (Main)<br />

and Hildesheim such efforts have been<br />

made since the beginning of the 1980s.<br />

In contrast to most of the reconstruction<br />

projects of the post-war period those often<br />

aimed to be as exact a replica of the lost<br />

building as possible – an approach that after<br />

1945 was chosen only for the most important<br />

sites, such as Dresden`s city centre<br />

or the boulevard “Unter den Linden” in<br />

eastern Berlin. After the German reunification<br />

replica-kind reconstructions and<br />

similar projects cumulated. As most – but<br />

not all – of them were located in the former<br />

GDR, some can be regarded as a late completion<br />

of the post-war reconstruction.<br />

Partly, these were long-term projects that<br />

were silently supported by parts of the citizens,<br />

interest groups and societies, but until<br />

recently could not develop any greater<br />

dynamic and had not been publicly or politically<br />

discussed in detail. As reconstruction<br />

projects have increased in numbers<br />

and are spread over almost the whole of<br />

Germany, it is possible to call the current<br />

phenomenon a “wave of reconstruction”.<br />

Though they represent only a small part<br />

of building completions and proposed developments,<br />

they often are key buildings<br />

within the urban structure and therefore<br />

a major focus of local debates on urban<br />

identity.<br />

These projects evolve in a broken continuity<br />

with post-war reconstruction during<br />

which modernism in architecture and<br />

urban design was largely implemented.<br />

Therefore, the current wave of reconstruction<br />

can be understood as a “post-modern”<br />

one. It is based on the resolution () of<br />

modern thinking in architecture and planning,<br />

which for different reasons started<br />

in the 1970s. In a pragmatic approach 1975,<br />

the European Year of architectural Heritage,<br />

has been chosen as the division between<br />

post-war reconstruction (that had<br />

then played only a minor role for some<br />

years) and the on-going wave, which started<br />

quite slowly in the 1980s and became<br />

more powerful during the 1990s. Other elements<br />

that indicate the post-modern nature<br />

of contemporary reconstructions are<br />

described in the research project. In architectural<br />

terms, historic stylistic elements<br />

are used without necessarily being functional<br />

and even if they are mere “quotations”.<br />

Especially those decorated and ornamented<br />

façades gain importance, which<br />

generate an intensive link to the specific<br />

place.<br />

The research project aims at examining<br />

context and character of the post-modern<br />

wave of reconstruction. It tries to explain<br />

how the desire for reconstruction could<br />

evolve, under which circumstances this<br />

desire translated into concrete projects<br />

and why so many of them could be built.<br />

The description of a wave needs to analyse<br />

its appearance as well as its composition,<br />

character and inner dynamic. This further<br />

implies research into the 35 years of<br />

debate about these “belated” reconstructions.<br />

The diversity and variation of arguments<br />

and position shall be described, organised<br />

and placed into a relationship<br />

with other professional discourses as well<br />

as public debates. While most of the professional<br />

and public interest concentrates<br />

on the question of an overarching pattern<br />

of explanation for the current wave of reconstruction,<br />

this will show the origins of

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