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168 Colonial City<br />

that the form of the colonial city was a direct result<br />

of the culture of colonial domination.<br />

A political economy approach (Wallerstein) situates<br />

the colonial city within larger economic systems<br />

of production and consumption where the<br />

urbanization of the third world periphery was<br />

based on an unequal exchange of goods and labor<br />

with the first world core, and colonial <strong>cities</strong> were<br />

deliberately created to facilitate European capitalist<br />

expansion. This theoretical framework was<br />

expanded upon by dependency theorists (Frank)<br />

who further argued that the core–periphery model<br />

of development also replicated itself within the<br />

third world, where, once established, colonial <strong>cities</strong><br />

then developed a dominant relation with the agricultural<br />

hinterland, which in turn led to uneven<br />

development within the colonies themselves. As it<br />

drew labor, raw materials, and agricultural<br />

resources from the hinterland, the development of<br />

the colonial city went hand in hand with the underdevelopment<br />

of the city (through slums, squatters,<br />

and tenements) as well as of the rural countryside.<br />

In recent years, urban historians and theorists<br />

have looked more closely at colonial <strong>cities</strong> as the site<br />

of indigenous agency (Yeoh), suggesting that the<br />

colonized population was more than simply passive<br />

recipients of the visions and schemes of the<br />

colonizers, but rather exercised agency in the construction<br />

of colonial <strong>cities</strong> through everyday use and<br />

negotiations with the dominant population. The<br />

end result of the colonial city was thus a compromised<br />

version of the ideal schemes as imagined by<br />

the colonizer and incorporated a whole host of elements<br />

that catered to the indigenous population.<br />

Form and Function<br />

The primary motivations of the colonial project<br />

often manifested themselves in the physical formal<br />

arrangements of the colonial city. The following<br />

paragraphs list some examples of nineteenth- and<br />

twentieth-century colonial urbanism.<br />

Racial segregation was a primary preoccupation<br />

of colonial planners and administrators. Cities<br />

such as Fez (Morocco) and Algiers (Algeria) were<br />

designed with distinct quarters for the indigenous<br />

population and European colonizers. The two sections<br />

of these dual <strong>cities</strong> were separated by a cordon<br />

sanitaire—an open green zone—that served as<br />

a hygienic as well as symbolic division between the<br />

racially distinct areas. Motivated by the medical<br />

profession’s racial explanation of epidemics and<br />

contagious disease, European colonizers justified<br />

the cordon sanitaire as vital to the protection of<br />

their own health and lives. Colonial racial anxieties<br />

were thus manifested as urban apartheid.<br />

Colonial <strong>cities</strong> were also used as the symbolic<br />

devices through which imperial power was represented<br />

and displayed. In 1911, when Delhi<br />

was proclaimed as the capital of the British<br />

Empire in India, a new city was built to house<br />

the administrative center of the empire. New<br />

Delhi was built adjacent to Shahjahanabad—a<br />

city that had been the seat of the Mughal Empire<br />

for over 200 years. In building New Delhi,<br />

British administrators sought, through visual<br />

elements and architectural styles, to represent<br />

the British Empire as the rightful successors to<br />

the Mughal Empire that they had recently abrogated.<br />

Similarly Addis Ababa (in modern-day<br />

Ethiopia) became a capital of the Italian empire<br />

in 1936. The new capital city, as envisioned by<br />

Benito Mussolini, would achieve two interrelated<br />

goals: (1) It would establish strict segregation<br />

between Black natives and White colonizers,<br />

and (2) it would represent the Italian empire as<br />

comparable in strength and domination to its<br />

French and British counterparts.<br />

A crucial element in the culture of colonialism<br />

was the notion of the colonizers as the rightful<br />

“proprietors” or “guardians” of the colonized.<br />

This paternalistic attitude often manifested itself in<br />

the management of indigenous heritage by the<br />

colonial authorities. For example, during the late<br />

phase of French colonization of North Africa, the<br />

colonial authorities took on the mandate of preserving<br />

the “native” city in its traditional, picturesque,<br />

urban form. In <strong>cities</strong> like Casablanca and<br />

Marrakesh, modern urban amenities such as<br />

plumbing, sewage, and street lighting were<br />

restricted to the European sections of the town.<br />

This strategy denied the indigenous population<br />

access to modernity by freezing them into the role<br />

of tradition as defined by the colonizers.<br />

The colonial project entailed the movement of<br />

large populations of human labor and the subsequent<br />

need for housing them in <strong>cities</strong>. In the late<br />

nineteenth century the British colony of Trinidad<br />

received 144,000 indentured laborers (mostly<br />

Indian males) who were housed in barracks.

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