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708 Shophouse<br />

and <strong>cities</strong> in Southeast Asia. They are typically<br />

two-story terraced buildings (although buildings<br />

of three or more stories may be found in more<br />

densely populated areas) divided into numerous<br />

units. Most shophouses have narrow frontages<br />

but extend to considerable depth inside. Shophouse<br />

design and ornamentation range from early,<br />

largely functional shophouses built by the first<br />

waves of impoverished Chinese migrants to a later<br />

“Chinese baroque”—highly ornate traditional<br />

Chinese motifs juxtaposed with grand European<br />

classical columns, French windows, and Corinthian<br />

capitals—as well as art deco styles associated with<br />

the Depression years. As suggested by its name,<br />

the shophouse is multifunctional; the first story is<br />

occupied by businesses and stores ranging from<br />

grocers, clinics, and workshops to clan association<br />

halls. The upper floors are commonly residential<br />

quarters for the family and employees working in<br />

the shop below, although this is not necessarily so,<br />

as it was common for sleeping space to be rented<br />

out to tenants.<br />

The hybrid word shophouse is likely to be a<br />

literal translation of the Chinese term dian wu<br />

(“shop” and “house” in Mandarin). Building<br />

forms similar to the Southeast Asian shophouses in<br />

terms of floor plans, construction, and iconography<br />

have been found in the treaty ports of southern<br />

China, suggesting that the urban form was<br />

transplanted to Southeast Asia by migrants from<br />

Fujian and Guangdong provinces in the nineteenth<br />

century. Colonial conditions, such as the new town<br />

planning regulations of the British (in Singapore<br />

and Malaya) and the Dutch (in Batavia, now<br />

Jakarta), also influenced the evolution of the shophouse<br />

form, producing what scholars have termed<br />

an “Anglo-Chinese urban vernacular.” The original<br />

commercial row house found in Guangzhou<br />

and other southern Chinese <strong>cities</strong> was thought to<br />

have been an easily imported style that fit well<br />

with the gridlike nature of streets in the urban<br />

plans of some Southeast Asian <strong>cities</strong>, where they<br />

underwent further transformation. In Singapore,<br />

for example, the British founder of the town<br />

Stamford Raffles decreed in 1822 that shophouses<br />

should have uniform frontages and a covered<br />

walkway (known as the “five-foot-way”) running<br />

the length of the block for the convenience of<br />

pedestrians seeking shelter from the tropical<br />

weather and the disorderly street traffic.<br />

In the late nineteenth and twentieth centuries, as<br />

the expanding colonial urban economies of Southeast<br />

Asia absorbed large numbers of labor migrants, the<br />

shophouse form in central areas of the city provided<br />

accommodation for the laboring classes in increasingly<br />

overcrowded conditions. Neither the colonial state nor<br />

private enterprise was willing to shoulder the cost of<br />

providing houses for the laboring classes, for such<br />

investments yielded far lower returns compared to<br />

those from rubber, tin, and commerce. Given the<br />

unremitting pressure of rapidly growing populations<br />

and acute housing shortages, living space in shophouses<br />

was subdivided into cubicles to accommodate<br />

the people. Shophouse areas such as the Chinatowns<br />

in Southeast Asian <strong>cities</strong> became associated with gross<br />

overcrowding, insanitary conditions, and disease.<br />

In the immediate post–World War II period,<br />

shophouse areas continued to be perceived as slum<br />

quarters characterized by insanitary and dilapidated<br />

buildings. As Southeast Asian nation-states<br />

gained independence in the 1960s and began<br />

modernization efforts, urban renewal of the city<br />

core led to the bulldozing of shophouse areas—<br />

considered obsolete architectural forms that had<br />

outlived their purpose—to make way for modernist,<br />

high-rise residential and commercial structures<br />

signifying efficiency and rationality.<br />

Urban conservation is a relatively new (and still<br />

limited) phenomenon in Southeast Asian <strong>cities</strong>. It is<br />

best observed in Singapore, where conservation efforts<br />

since the late 1980s began to target the remaining<br />

shophouse areas, resulting in the designation of some<br />

of these areas as historic districts (such as Chinatown<br />

and Little India) and the conservation of distinctive<br />

shophouse rows as part of urban heritage. In several<br />

Malaysian towns and <strong>cities</strong>, shophouse areas hang in<br />

the balance as the relative merits of conservation vis-àvis<br />

redevelopment continue to be debated.<br />

Brenda S. A. Yeoh<br />

See also Asian Cities; Chinatowns; Housing; Singapore<br />

Further Readings<br />

Lee, Ho Yin. 2003. “The Singapore Shophouse: An<br />

Anglo-Chinese Urban Vernacular.” Pp. 115–34 in<br />

Asia’s Old Dwellings: Tradition, Resilience, and<br />

Change, edited by R. G. Knapp. New York: Oxford<br />

University Press.

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