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important, focusing critical attention on the situation.<br />

Derived from existentialist philosophy the<br />

situation might be defined as a structured spacetime—the<br />

space-time structures that establish the<br />

limits of possibility (for everyday life or for inhabiting<br />

no less than for the circulation of capital or<br />

the expropriation of labor). Strategically, Debord<br />

argued, situations needed to be upended. Taking a<br />

cue from the surrealist playbook, situationists<br />

sought to harness the power of displacement and<br />

dislocation (literally, the being-out-of-place) to<br />

expose, upset, or perhaps just maneuver around<br />

structured space-time and in doing so to create a<br />

new situation—a new space-time structure that<br />

opened up new possibilities for living. Differing<br />

more in terms of strategy than at the level of philosophy,<br />

Lefebvre sought to expand the notion of<br />

a situation and to generalize it, to understand, for<br />

example, how modernity itself was a situation (if<br />

of a particularly broad and deep scale).<br />

For Lefebvre, therefore, a central task of revolutionary<br />

philosophy was to reveal that situations<br />

were always produced—and how. This is the major<br />

argument he was moving to in Le Droit, and which<br />

he brought to fruition in La production de l’espace.<br />

Its importance cannot be underestimated. In Debord’s<br />

words, “the proletarian revolution”—recall<br />

Lefebvre’s invocation of the working class when he<br />

referred to the right to the city as a cry and a<br />

demand—“is that critique of human geography<br />

whereby individuals and communities must construct<br />

places and events commensurate with the<br />

appropriation not just of their labor, but of their<br />

total history.” For Lefebvre, however, more than<br />

critique was necessary: Even more vital was the creation<br />

of new spaces, new situations—a nurturing of<br />

the (unalienated) oeuvre—and this in turn required<br />

a struggle for the right to the city: a revolutionary<br />

urbanism. As Marx’s Capital was an analysis seeking<br />

to point the way to the production of a new<br />

political economy built not on the expropriation and<br />

alienation of the working classes (so as to create a<br />

world in which humanity could flourish), then Le<br />

Droit à la ville was designed as an analytical intervention<br />

that might point the way toward the production<br />

of a new space of fully urban humanity.<br />

Intellectual Influence<br />

In English-language urban studies, the right to the<br />

city has probably had more of an impact as a<br />

Right to the City<br />

669<br />

slogan than as a worked-out theoretical or philosophical<br />

position. Although published in 1968 and<br />

clearly influential in the urban uprisings of that<br />

year, Le Droit à la ville was not translated into<br />

English until 1996, and then not completely. Even<br />

in its full version Le Droit is more an outline or<br />

(literally) an abstract. This was intentional. As<br />

Lefebvre states at the outset, his goal is to open up<br />

ideas rather than shut them down through systematic<br />

analysis. As such, he took what he called a<br />

cavalier attitude toward analysis and exposition.<br />

The fuller development of Lefebvre’s urban<br />

analysis had already been published in English,<br />

with the 1991 translation of The Production of<br />

Space and through the work of Edward Soja<br />

(1989), David Harvey (1973), Neil Smith (1984),<br />

and, after 1991, countless others, his contributions<br />

to a spatialized social theory were well known.<br />

With the publication of an English translation of<br />

Le Droit à la ville, this spatialized social theory<br />

was quickly applied to (and critically examined<br />

within) arguments about urban transformation<br />

and the role of rights in social struggle. Even so,<br />

the notion of a right to the city as developed by<br />

Lefebvre was not so much scrutinized as invoked.<br />

Don Mitchell borrowed the title for his 2003 book<br />

on public space, for example, but with the exception<br />

of a few pages of explication of Lefebvre’s<br />

ideas focused his analysis not so much on the city<br />

as an oeuvre, but instead on the more narrow<br />

questions of how public space in the city is structured,<br />

who has access to it, and why this matters<br />

for political action and urban social justice.<br />

Similarly, most of the papers appearing in the<br />

2002 special issue of GeoJournal on the “Rights to<br />

the City”—papers previously presented at a May<br />

2002 conference in Rome, Italy—elucidate specific<br />

struggles across various <strong>cities</strong> over, for example,<br />

urban planning and redevelopment, community gardening,<br />

neighborhood revitalization, and citizenship<br />

within the neoliberal “shadow state.” They spend<br />

little time interrogating the concept of a right to the<br />

city itself. Papers by Eugene McCann and Mark<br />

Purcell in 2002 were exceptional in this regard. The<br />

latter argues that the right to the city remains underdeveloped<br />

politically and theoretically but then<br />

oddly reduces the theoretical and political weight of<br />

the concept to what he calls “the urban politics of<br />

the inhabitant.” In essence, Purcell advocates a politics<br />

of “living in” rather than actively producing<br />

urban space, thus zeroing in on one narrow aspect

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