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went on, improving the urban fabric to make it<br />

less hospitable for them—often opening up alleys<br />

and courtyards to let in air as well as light—and<br />

above all, by careful surveillance by the police and<br />

others, aided by well-lit streets.<br />

This concern for the apparent lawlessness and<br />

immorality of the city at night was compounded by<br />

the sense, from the 1840s onward, that if the night<br />

was to be given to leisure, then it should be of the<br />

right sort: improving, sober, and pious. The rational<br />

recreation movement studied by Peter Bailey<br />

and others was particularly concerned with providing<br />

alternatives to pubs and bars like coffeehouses,<br />

parks, museums, and libraries. Even better, the<br />

streets were to be abandoned for the comforts of<br />

home, once the working day was done.<br />

Contemporary Issues<br />

Many of these characteristics of nightlife are still<br />

with us today. The night is still associated with<br />

pleasure and fear, despite more certain and better<br />

distributed lighting in many <strong>cities</strong>. In the eyes of<br />

some observers, the contemporary nighttime economy<br />

is stronger than it was in the nineteenth century,<br />

remaking declining industrial and waterside<br />

areas, commercial centers left empty at the end of<br />

the working day, and inner residential areas abandoned<br />

by middle-class whites in the middle of the<br />

twentieth century. Describing these revitalized centers<br />

as “fantasy <strong>cities</strong>,” John Hannigan notes that<br />

in the United States they are characterized by<br />

branding and sponsorship, the use of themes in<br />

design (heritage or popular cultural themes, like<br />

Disney), a commitment to nightlife, and isolation<br />

from neighboring parts of the city, among other<br />

things. Like other commentators, Hannigan is worried<br />

by the extent to which this nightlife promotes<br />

a fake liminality or “riskless risk” that seems dangerous<br />

but is thoroughly standardized and sanitized.<br />

From this viewpoint, the fantasy city is a<br />

form of gentrification for nonresidential areas.<br />

Paul Chatterton and Robert Hollands have identified<br />

similar characteristics in the United Kingdom’s<br />

urban nightlife, against the context of the domination<br />

of brewing and retail by a small number of<br />

large companies and a state that seems happy with<br />

a neoliberal combination of liberalization and<br />

control (the 2003 Licensing Act relaxed the rigidity<br />

of the existing licensing hours, while other strategic<br />

Nightlife<br />

565<br />

policies sought to punish rowdy drinkers and<br />

minimize the consequences of alcohol). However,<br />

there is more to the nighttime economy than a partnership<br />

between capital and state, and these developments<br />

are sometimes unpredictable.<br />

It was property speculation, not morality campaigns,<br />

that closed down London’s Cremorne<br />

Gardens in 1878, and contemporary fantasy <strong>cities</strong><br />

can also be threatened by residential development.<br />

Westminster City Council—responsible for a large<br />

proportion of London’s entertainment venues and<br />

the largest licensing authority in Britain—is becoming<br />

increasingly sensitive to complaints of noise<br />

and nuisance from local residents, particularly<br />

those who have to work the next day. In Bristol,<br />

residents’ associations successfully challenged<br />

licensing policies, and this is expected to become<br />

more widespread and successful under the 2003<br />

act. In Barcelona, Dublin, Ibitha, and Thailand<br />

residents and revelers have come into conflict.<br />

Cases like these suggest that <strong>cities</strong> are complex<br />

organisms and that it is risky to assume that there is<br />

only one form of nightlife. Geographical and historical<br />

differences matter, as do definitions of sociability<br />

and sociality. In the first case, it seems unwise to<br />

reduce nightlife to a simple alliance between neoliberal<br />

policies and the nighttime economy. It is certainly<br />

not the case that the fantasy city has been rolled out<br />

from the United States; other countries possess different<br />

urban forms and cultures, different economies,<br />

and different ways of enjoying the night.<br />

Second, there are specific histories of nightlife to<br />

match this geographical variation. In Britain, for<br />

example, the revival of the nighttime economy and<br />

rise in going out over the last 20 years has to be<br />

put against the century-long decline in alcohol<br />

consumption that preceded it. In Spain and France,<br />

however, current concerns revolve around the<br />

decline of wine consumption and the rise of beer<br />

drinking because this drinking without eating<br />

seems to be becoming more central to nighttime<br />

entertainment; attempts are being made to revive<br />

older forms of café sociability that do not revolve<br />

around alcohol in Madrid.<br />

Third, our evaluation of a city’s nightlife reflects<br />

our ideas about urban life in general. If we are<br />

interested in revanchism and the rights to the city,<br />

then we will see this in our analysis of nightlife. If<br />

we see urban sociability as something produced in<br />

everyday encounters between strangers and the

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