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46 Athens, Greece<br />

of myths and processions in her honor in the<br />

Parthenon marble friezes. It was the major monument<br />

of a city-state that rose to hegemony for a<br />

mere 100 years, but still, it became a model for<br />

European—and indeed global—culture: language,<br />

political institutions, philosophy, drama, art, and<br />

architecture. This eternal “city of memory” inspired<br />

European geographical imaginations and reproduced<br />

global prototypes not only in archaeology or<br />

philosophy or cultural studies but in several fields,<br />

including urban studies.<br />

After the sixth century BC, following a first<br />

wave of flowering of Greek culture in Ionian <strong>cities</strong><br />

and especially Melitus in Asia Minor, classical<br />

Athens rose from a sea of tyranny, first defeating<br />

the Assyrians and then expelling its tyrant, Hippias,<br />

in 510 BC. Its short-lived civilization (510–404 BC)<br />

offered many of the advances and concepts of<br />

today’s European culture and global institutional<br />

discourse: Citizenship from “city” (politis from<br />

polis), the person participating in public life, in<br />

contradistinction from idiotis, the private person<br />

and the etymology for idiot, as in Marx’s “rural<br />

idiocy”; polis, policy, politics, politismos, that is,<br />

civilization; theatron, with “view” as its etymology;<br />

tragedy, comedy, philosophy, history; geography is<br />

a Greek word, too, though a later one, of the<br />

Hellenistic period (second century BC). The main<br />

thrust of classical culture was not commerce and<br />

material production but the quest for knowledge,<br />

advances in sexuality and politics—generally, reason,<br />

culture, and investigation rather than religion.<br />

In the realm of politics, Athens offered the<br />

word, the theory, and the practice of democratia,<br />

“democracy.” The etymology comes from demos/<br />

demoi, local communities surrounding the citystate.<br />

According to Aristotle, the union or community<br />

(koinonia) of Demoi was the full polis—a<br />

society, a community, and a state. The words polis/<br />

politeia/politis (i.e., city/citizenship/citizen) have a<br />

common root and denote urbanism in a positive<br />

light. This legitimizes the introduction of “citizenship”<br />

on multiple spatial levels, as we do today,<br />

using it in connection with the urban, the national,<br />

and now the European level—despite its etymology<br />

based on the city. Planning also centered on the<br />

city by definition—polis/poleodomia (i.e., city/<br />

town planning)—and classical architecture contributed<br />

the Doric and Ionian orders, while later<br />

the Corinthian order emerged in Corinth. The harmonic<br />

rules for building were perfected in the<br />

Acropolis temples, especially the Parthenon, built<br />

by Ictinos and Callicrates in the age of Pericles and<br />

inaugurated in 432 BC. Hippodamus from Miletus<br />

introduced the “hippodamian system” of urban<br />

design there and also in Piraeus and Rhodes: A<br />

checkerboard of equality engraved on the urban<br />

landscape represented democracy on the ground<br />

and in effect introduced modern urban design.<br />

The <strong>ancient</strong> city-state was centered on the agora,<br />

the forum, the urban public space where direct<br />

democracy and citizenship were concretized (civitas,<br />

politeia). Ideas and policies were debated here<br />

in the citizens’ assembly without any censorship.<br />

Decisions were made by all eligible “citizens”<br />

rather than just their representatives, and every<br />

man (but no women) participated, irrespective of<br />

income, property, or rank. Leaders were elected to<br />

office only to carry out the people’s will. Pericles<br />

was not a ruler but the city’s leading citizen, who<br />

was elected annually. The agora was much more<br />

than physical space (urbs: Latin) or a “speakers’<br />

corner” or an open space for strolling. It literally<br />

meant “marketplace,” where commerce was centered,<br />

but it was actually a complex space of mixed<br />

uses and intense social interaction. In the agora,<br />

the Acropolis, and the city at large, the interpenetration<br />

of nature and culture was harmonized in<br />

classical architecture by the in-between space of<br />

the colonnade, the stoa, a pathway of columns<br />

open to the outside but also connected with the<br />

inside through the roof of the relevant building<br />

bordered by the stoa.<br />

This was the landscape in which classical civilizations<br />

developed. Citizenship and participation in a<br />

real, natural city were considered as a precondition<br />

of civilization and the essence of democracy.<br />

However, among the three claims of citizenship in<br />

modernity, the city-states of antiquity respected<br />

two: the right to voice, to express (democratization);<br />

and the right to human flourishing; but not the right<br />

to difference. In this, classical Athens was a weak<br />

democracy in many senses. Citizenship was bounded<br />

by gender, territoriality, and social exclusion—of<br />

women, slaves, and “barbarians,” or noncitizens. It<br />

was actually this exclusion of the “others”<br />

from citizenship and the army that constituted the<br />

main weakness of the Athenian democracy and its

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