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196 Cultural Heritage<br />

region in India have emphasized the importance of<br />

sustainable local economic development.<br />

Global tourism to heritage sites and <strong>cities</strong>, at<br />

times excessive and insensitive, has exacerbated<br />

the conflicts between global cultures and local<br />

beliefs and practices. Venice, one of the most<br />

popular destinations, attracts more than 20 million<br />

tourists a year from around the world, but has<br />

lost its own culture and local population. The flow<br />

of capital, the demands of tourists for familiar<br />

modern amenities, and the environmental externalities<br />

of tourism have distorted the value of heritage<br />

and destroyed the fragile systems that nurtured<br />

it. In Siem Reap in Cambodia, seat of the Angkor<br />

Vat, hotels are said to have depleted the groundwater<br />

reserves while the dominance of a few large<br />

multinational companies operating with imported<br />

staff or exploiting the labor of local women and<br />

youth has reduced economic benefits for residents.<br />

Tourism can introduce or accelerate social change<br />

and revive folk arts but also exacerbate commodification.<br />

The pressure to retain every aspect of its<br />

heritage has stymied development and marginalized<br />

the needs of local residents in many places.<br />

Cultural Politics of Heritage<br />

Where <strong>cities</strong> are competing globally for investments<br />

and tourism, cultural richness can become a<br />

significant selling point. Cultural heritage has<br />

become a way of branding <strong>cities</strong> and making them<br />

interesting and significant. Whereas <strong>cities</strong> such as<br />

Vienna, Prague, and Barcelona have long been<br />

known as cultural centers, others such as Rio de<br />

Janeiro, Buenos Aires, and Singapore have made<br />

efforts in recent years to reconnect with their histories.<br />

Uniqueness and character command attention;<br />

<strong>cities</strong> with heritage have what some scholars<br />

call designer quality. Such market pressures have<br />

led <strong>cities</strong> to invent cultural practices and exaggerate<br />

or essentialize heritage.<br />

The conflicts between contemporary cultures<br />

and historical authenticity are everywhere. The<br />

debate ranges between those who would like to<br />

protect heritage sites in their entirety, wishing to<br />

recreate their original context, and those who see<br />

change as reflecting multiple layers of history and<br />

culture. Furthermore, the concern for an imageable<br />

and consumable identity has resulted in the<br />

creation of structures, settings, and rituals that<br />

mimic a sanitized and aesthetic past. In <strong>cities</strong><br />

such as Santa Fe in New Mexico, Annapolis in<br />

Maryland, and Charleston in South Carolina,<br />

critics regard efforts to capture only the delectable<br />

and delightful in heritage settings as caricatures<br />

of cultural heritage, not as repositories of<br />

knowledge.<br />

Global politics is reflected in institutional mechanisms<br />

for managing cultural heritage. Colonial<br />

powers once assumed stewardship of cultural heritage,<br />

as for instance, the French in Morocco or the<br />

British in India. In so doing, they imposed historical<br />

narratives and national identities on the colonized<br />

nations. The views of local people were entirely<br />

disregarded. In the postcolonial era, although many<br />

nations have made efforts to redress the colonial<br />

prejudices and reinscribe nationalist histories, political<br />

imbalance has persisted in the global selection<br />

of cultural heritage and the charters and conventions<br />

that govern them as well as in the relationships<br />

between the state and local community over the<br />

ownership, interpretation, and management of heritage.<br />

Although philanthropists and the wealthy elite<br />

pioneered the protection of heritage in Europe and<br />

North America, since the late nineteenth century the<br />

responsibility for protecting historic buildings and<br />

works of art has been placed on public institutions.<br />

This has raised questions of ownership and access<br />

to heritage. The idea that the inheritors and local<br />

communities have a stewardship of the sites and a<br />

voice in their management is gradually becoming<br />

more current.<br />

Inclusiveness, Equity, and Sustainability<br />

Social and economic change and the inclusion of<br />

private property under heritage have resulted in<br />

multiple stakeholders and shared responsibility. The<br />

inclusion of stakeholder participation ranges from<br />

encouraging private investments in the revitalization<br />

and adaptive reuse of historic neighborhoods<br />

and buildings such as the industrial neighborhoods<br />

and waterfront warehouses of many North American<br />

<strong>cities</strong>, to the strengthening of heritage values and<br />

identification of meaningful roles for marginalized<br />

people. Inherent in these partnerships with stakeholders<br />

is the idea of balancing the value of preserving<br />

heritage with the needs of current use or finding<br />

a value for heritage within contemporary economic,<br />

social, and political frameworks. Many of the historic<br />

centers of Latin American towns, such as<br />

Salvador in Brazil, struggle to balance the present

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