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other <strong>cities</strong>. Adjacent neighborhoods were merged<br />

into significant zones of Latina/o cultural dominance.<br />

The reach of the barrio surged throughout<br />

regions of the Southwest, creating a new period of<br />

barrio urbanism.<br />

By the late 1970s, three types of patterns<br />

emerged: (1) traditional barrios surging into adjacent<br />

neighborhoods; (2) <strong>cities</strong> and regions that<br />

evolved into a system of intermittent Latina/o<br />

dominated zones, working-class suburbs, and inner<br />

city; and (3) the duality of a traditional barrio disjointed<br />

from middle-class Latinas/os migrating<br />

suburbia, older or new locations. This often<br />

resulted in the acceleration of economic decline in<br />

traditional barrios. Whereas the Los Angeles basin<br />

exhibits all three typologies, other <strong>cities</strong> formed<br />

dissimilar spatial relationships. El Paso is an example<br />

of the first scenario: El Segundo Barrio continued<br />

to expand into adjacent zones, creating a<br />

totally controlled Chicana/o urban zone. Phoenix,<br />

Denver, and Sacramento have evolved into the<br />

second topology in which selected suburban communities<br />

have experienced significant multiethnic<br />

integration, while other adjacent zones have<br />

remained predominately European American.<br />

Tucson, San Jose, and San Diego exhibit the third<br />

type of relationship in which suburban migration<br />

has created a spatial and social distance from the<br />

traditional barrio. Logan Heights in San Diego is<br />

isolated from suburban patterns north of the central<br />

city, and Tucson, mainly because Viejo Barrio<br />

was destroyed, led to a pattern of distinct barrio<br />

zones.<br />

The Twenty-First-Century Barrio<br />

Barrios remain in crisis. Affordable housing is<br />

a Latina/o urban crisis in the Southwest. Environmental<br />

pollution and land use conflicts increasingly<br />

place barrios at risk in relation to public health.<br />

Economic revitalization, job generation, and small<br />

business stability are problematic in urban barrios.<br />

This is a legacy in which barrios were systemically<br />

denied capital reinvestment. Uneven development<br />

has left barrios in a permanent status of deterioration,<br />

social dysfunction, limited economic opportunity,<br />

and political marginalization. Planning is<br />

now confronted with an era of bilingualism and<br />

bicultural practices to ensure active minority participation<br />

in land use policy. In particular, demands<br />

Bazaar<br />

61<br />

for bilingualism and inclusion have forced urban<br />

elites to increase public information in relation to<br />

urban policy. Exclusionary practices such as censorship<br />

of information, sequestering Housing and<br />

Urban Development regulations, ignoring environmental<br />

issues, and blatant racism are gradually<br />

subsiding. Barrio residents have begun to demand<br />

a quality of life for lower-income residents.<br />

Simultaneously, barrio urbanism has expanded<br />

into virtually all major urban centers in the<br />

United States.<br />

See also Favela; Ghetto; Los Angeles, California<br />

Further Readings<br />

David Diaz<br />

Davis, Mike. 2000. Magical Urbanism. London: Verso.<br />

Diaz, David. 2005. Barrio Urbanism. New York:<br />

Routledge.<br />

Rodriguez, Nestor. 1993. “Economic Restructuring and<br />

Latino Growth in Houston.” In In the Barrios, edited<br />

by J. Moore and R. Pinderhughes. New York:<br />

Russell Sage.<br />

Valle, Victor M. and Rodolfo D. Torres. 2000. Latino<br />

Metropolis. Minneapolis: University of<br />

Minnesota Press.<br />

Ba z a a r<br />

Originally referring to a vaguely defined “oriental”<br />

market, the bazaar, as an institution and a<br />

space, has for many centuries exercised its attraction<br />

upon observers from all over the world. A<br />

sensorially and semiotically overloaded space and<br />

a point of encounter of various influences, actors,<br />

artefacts, and symbols, the bazaar is commonly<br />

presented in most travel guides, novels, and<br />

reportages (and often in scholarly work too) as<br />

the epitome of Middle Eastern (and Asian) societies;<br />

as the arena where visitors can capture the<br />

most picturesque and “authentic” impressions of<br />

the “culture” of such areas. An originally localized<br />

space and notion, the bazaar has therefore<br />

become a constitutive part of translocal fantasies<br />

as well as an example of Western exoticizing and<br />

orientalistic representations of the world.

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