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locks to maximize opportunities for choice and<br />

serendipity at their many intersections.<br />

Notably, each of the characteristics stood in<br />

diametric opposition to basic tenets of modern<br />

planning and urban renewal, which included a<br />

preference for superblocks, lower densities with<br />

more open space, the replacement of older areas<br />

with new redevelopments, and the increasing segregation<br />

of various functions (e.g., housing, work,<br />

leisure, and transportation). Jacobs challenged a<br />

wide range of assumptions about how <strong>cities</strong> work,<br />

noting, for example, that parks were not an absolute<br />

good—nor was bigger necessarily better.<br />

Instead, vast open spaces, not easily traversed or<br />

monitored, could function as “border vacuums,”<br />

deadening uses in their vicinity.<br />

Generally, Jacobs provided lessons for urban<br />

social scientists as far away as Germany. In the<br />

United States, her influence is particularly evident<br />

in the work of Richard Sennett (The Uses of<br />

Disorder: Personal Identity & City Life, 1970).<br />

William H. Whyte continued to emphasize<br />

Jacobsean concerns in his Street Life Project (The<br />

Social Life of Small Urban Spaces, 1980). Jacobs’s<br />

argument for having more activity—and hence<br />

more eyes—on the street was developed further in<br />

critiques of crime-ridden high-rise housing projects,<br />

where layouts prevented community self-policing,<br />

particularly Oscar Newman’s “defensible space.”<br />

Jacobs’s general concept of unrecognized services<br />

that issue from community patterns prefigures<br />

political scientist Robert Putnam’s exploration of<br />

civic community and social capital, as well as<br />

Richard Florida’s writings on the creative class in<br />

<strong>cities</strong>. Nobel laureate economist Robert Lucas has<br />

suggested that she deserved a Nobel Prize for what<br />

he termed the “Jane Jacobs’ externalities,” that is,<br />

the effect of <strong>cities</strong> in catalyzing human innovation.<br />

Jacobs concluded her first book with an extended<br />

meditation on what “kind of problem a city is”—<br />

namely a system of “organized complexity.” She<br />

regularly compared urban systems to complex ecosystems<br />

with myriad niches and invoked organic<br />

metaphors. Her characterization of the gradually<br />

emergent, unpredictable patterns of urban society<br />

anticipated the later enthusiasm for chaos theory<br />

and other dynamics that are neither linear nor random.<br />

Her late writings turned to urban environmental<br />

questions, and she ultimately saw much<br />

promise in “bio-mimicry.”<br />

Jacobs, Jane<br />

415<br />

Jacobs delved deeper into the question of <strong>cities</strong><br />

as dynamic, generative entities, particularly as<br />

engines of economic development. She held urban<br />

centers to be the necessary locus for nearly all of<br />

the most important developments in human civilization,<br />

even agriculture. In her view, <strong>cities</strong> were<br />

indispensable, constantly evolving sites of social<br />

organization, where innovation could be brought<br />

to bear in regional and eventually international<br />

markets. Her emphasis on the role of <strong>cities</strong> in a<br />

global context paved the way for later studies by<br />

sociologist Saskia Sassen, geographer Peter Hall,<br />

and economists Robert Lucas and Edward<br />

Glaeser.<br />

Jacobs has directly influenced many important<br />

thinkers with particular relevance to urban studies:<br />

Robert Caro cited Jacobs as a primary inspiration<br />

for his devastating biographical attack on a master<br />

of urban renewal, The Power Broker: Robert<br />

Moses and the Fall of New York (1974). For<br />

Marshall Berman, Jacobs’s vision was the apotheosis<br />

of urban democracy as expressed through an<br />

unruly “modernism of the streets,” which he<br />

explored at length in All That Is Solid Melts into<br />

Air: The Experience of Modernity (1982).<br />

More broadly, her reaffirmation of the traditional<br />

urban streetscape became a touchstone for<br />

architects, planners, and preservationists rejecting<br />

various aspects of modernist urbanism. Although<br />

urban professionals initially greeted Jacobs’s first<br />

book with great hostility, by 1974, New York City<br />

Planning Commission Chair John Zuccotti claimed,<br />

“We are all neo-Jacobeans.” In the 1990s, the new<br />

urbanism movement invoked Jacobs as a foundation<br />

for pedestrian- and community-oriented suburban<br />

developments like Seaside and Celebration,<br />

both in Florida.<br />

Aside from the ire of planners directly stung by<br />

her critiques, Jacobs work engendered sustained<br />

criticism as well. Those on the political Left viewed<br />

her recommendations as insufficient responses to<br />

large-scale capitalist forces. Indeed, Jacobs often<br />

advocated entrepreneurship, innovation, and other<br />

self-help as the solution for “unslumming” economically<br />

depressed areas, while she attacked<br />

large-scale government programs, including not<br />

only urban renewal but also the Tennessee Valley<br />

Authority. Although never willing to label herself<br />

politically or ideologically, Jacobs harbored<br />

lifelong suspicions of power and authority.

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