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956 Veranda<br />

and Normandy, from where they reached the<br />

Americas, offering ready references for existing<br />

forms. With the processes of exchange characteristic<br />

of cultural contact zones, new veranda forms found<br />

their way back to Africa, South Asia, and Europe.<br />

The current influence of the veranda is perhaps<br />

most discernible in the southern United States<br />

where the porch still exerts a strong influence on<br />

the cultural imagination and built environment. Its<br />

significance in everyday life engages questions of<br />

race, gender, and class because of its unique physical<br />

and psychological liminality.<br />

Itohan Osayimwese<br />

See also Bungalow; Colonial City<br />

Further Readings<br />

Donlon, Jocelyn. 2001. Swinging in Place: Porch Life in<br />

Southern Culture. Chapel Hill: University of North<br />

Carolina Press.<br />

Edwards, Jay. 1989. “The Complex Origins of the<br />

American Domestic Piazza-Verandah-Gallery.”<br />

Material Culture 21(2):2–58.<br />

King, Anthony. 1984. The Bungalow: The Production of<br />

a Global Culture. London: Routledge.

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