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434 Land Trusts<br />

Last, Zukin discuses how cultural forms can<br />

simultaneously oppose and reflect the rules of the<br />

market economy; for example, how spaces of<br />

alternative artistic production attract the forces of<br />

gentrification, as evident in Lower Manhattan.<br />

Landscapes of power include cultural forces that<br />

contest the values of capitalism, as well as providing<br />

spaces that allow people to escape the pressures<br />

of being a productive member of a<br />

late-capitalist economy. The concept unites what<br />

seem to be ever more disparate elements of the<br />

landscape, showing how they all reflect a singular<br />

economic system.<br />

Impact in Other Areas<br />

The literature on the emergence of global <strong>cities</strong><br />

often adopts Zukin’s framework as a model.<br />

While the original concept was articulated in relationship<br />

to deindustrialization, similar arguments<br />

have been made in terms of the globalization of<br />

the economy and the emergence of regional centers<br />

of the global economy, what are called global<br />

<strong>cities</strong> or world <strong>cities</strong>. Saskia Sassen, a sociologist,<br />

points out that the structures of the global economy<br />

have created distinctive labor patterns in<br />

these urban centers. There is also an increasing<br />

convergence of the labor patterns, consumption<br />

habits, and the built environments of these global<br />

<strong>cities</strong>, despite their distinctive histories and vastly<br />

different locations and cultures. Whereas <strong>cities</strong><br />

such as New York, Tokyo, and Paris may be converging<br />

landscapes, the distinction between these<br />

global <strong>cities</strong> and <strong>cities</strong> that do not play a central<br />

role in the global economy is growing. For example,<br />

the patterns of living, working, and consuming<br />

are becoming more similar in London and<br />

Paris, but there is a greater difference between<br />

Paris and Lyon than there was 40 years ago<br />

because of the different roles these <strong>cities</strong> play in a<br />

globalized economy.<br />

Recent work on the cultures of consumption,<br />

tourism, and leisure have also drawn heavily on<br />

the idea that even spaces designated as alternatives<br />

to economic production reflect market forces. For<br />

example, eco-tourism allows spaces that have<br />

fallen outside of the circuit of economic production<br />

to attract global capital. As spaces become<br />

more homogenized through transnational global<br />

investment, <strong>cities</strong> have discovered that developing<br />

more authentic depictions of their historical<br />

culture increases their economic viability by<br />

attracting tourism. Urbanism itself has become a<br />

major lifestyle attraction in many inner-city neighborhoods<br />

as it is redefined as a sophisticated,<br />

multicultural, and elite form of culture that is promoted<br />

by dense living space.<br />

See also Deindustrialization; Global City; Loft<br />

Living; Shopping<br />

Further Readings<br />

Keally McBride<br />

Abu-Lughod, J. L. 1999. New York, Los Angeles,<br />

Chicago: America’s Global Cities. Minneapolis:<br />

University of Minnesota Press.<br />

Brenner, Neil and Roger Keil, eds. 2006. The Global<br />

Cities Reader. London: Routledge.<br />

McBride, Keally. 2005. Collective Dreams: Political<br />

Imagination and Community. University Park:<br />

Pennsylvania State University Press.<br />

Polanyi, Karl. 2001. The Great Transformation: The<br />

Political and Economic Origins of Our Time. Boston:<br />

Beacon.<br />

Rae, Douglas. 2003. City: Urbanism and Its End. New<br />

Haven, CT: Yale University Press.<br />

Sassen, Saskia. 2000. The Global City: New York,<br />

London, and Tokyo. Princeton, NJ: Princeton<br />

University Press.<br />

Sorkin, Michael, ed. 1992. Variations on a Theme Park:<br />

The New American City and the End of Public Space.<br />

New York: Hill and Wang.<br />

Zukin, Sharon. 1991. Landscapes of Power: From<br />

Detroit to Disneyworld. Berkeley: University of<br />

California Press.<br />

La N d tr u s t s<br />

In the United States, land trusts are a form of<br />

social ownership of land. Typically, nonprofit<br />

organizations own land in trust through either a<br />

conservation land trust or a community land trust.<br />

The two types of land trusts are different from<br />

each other in origin, use, and intent. Conservation<br />

land trusts are nonprofit organizations that conserve<br />

land in perpetuity for natural, recreational,<br />

scenic, historic, and productive uses. Community

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