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ORIS PDF Tuner Version 4.4.8 User Manual - image2output - Support

ORIS PDF Tuner Version 4.4.8 User Manual - image2output - Support

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Figures<br />

Fig. 3-16 ‘Page Format’ Tab (PS) (‘Export Layout’ Dialog) ................................ 3-39<br />

Fig. 3-17 Outputting a Page Section................................................................... 3-41<br />

Fig. 3-18 ‘Page Marks’ Tab (‘Export Layout’ Dialog) ......................................... 3-42<br />

Fig. 3-19 Page Marks and Job Information......................................................... 3-43<br />

Fig. 3-20 Dummy Text Area Names on Output Document ................................. 3-46<br />

Fig. 3-21 ‘Screening’ Tab (‘Export Layout’ Dialog) ............................................ 3-46<br />

Fig. 3-22 ‘Select’ Tab (‘Export Layout’ Dialog) ................................................... 3-48<br />

Fig. 3-23 ‘Trapping/Soft Edges’ Tab (‘Export Layout’ Dialog) ............................ 3-51<br />

Fig. 3-24 Position of Soft Edges ......................................................................... 3-52<br />

Fig. 3-25 ‘Trapping Parameters’ Dialog/‘Exceptions’ Tab .................................. 3-56<br />

Fig. 3-26 ’Trapping Parameters’ Dialog/’Basic Settings’ Tab.............................. 3-58<br />

Fig. 3-27 Predefined Bleed Page........................................................................ 3-61<br />

Fig. 3-28 Areas on a Bleed Page ....................................................................... 3-63<br />

Fig. 3-29 Merging a Layout with a Bleed Page ................................................... 3-65<br />

Fig. 3-30 Adding Bleed or Trim Margin Lines ..................................................... 3-67<br />

Fig. 5-1 ‘Layout Parameters’ Dialog ..................................................................... 5-7<br />

Fig. 5-2 Defining Bleed Margins (Example) .......................................................... 5-9<br />

Fig. 6-1 Snap Area of Guides ............................................................................... 6-2<br />

Fig. 6-2 Invisible Guide Grid ................................................................................. 6-6<br />

Fig. 7-1 ‘Rectangle Editor’ Dialog ........................................................................ 7-2<br />

Fig. 7-2 Handles of a Rectangle (Example) .......................................................... 7-3<br />

Fig. 7-3 Changing Corner Lengths (Example) ...................................................... 7-4<br />

Fig. 8-1 Resize Handles and ‘Transformations’ Toolbar ...................................... 8-6<br />

Fig. 8-2 Switching Overlap Mode On/Off ............................................................ 8-11<br />

Fig. 8-3 Overlap Mode for Path Frames ............................................................. 8-12<br />

Fig. 9-1 Terms Used in Path Editor ...................................................................... 9-2<br />

Fig. 9-2 Creating a New Path (Example) ............................................................. 9-3<br />

Fig. 9-3 Displayed, Active and Marked Points ...................................................... 9-5<br />

Fig. 9-4 Screen Representation Of Fixed Points ................................................. 9-8<br />

Fig. 9-5 Dragging Locked Handles ..................................................................... 9-13<br />

Fig. 9-6 Dragging Unlocked Handles .................................................................. 9-13<br />

Fig. 10-1 ‘Retouch’ Dialog .................................................................................. 10-6<br />

Fig. 10-2 ‘Color Selection’ Dialog ....................................................................... 10-8<br />

Fig. 10-3 Spot Colors Dialog............................................................................. 10-12<br />

Fig. 11-1 Positioning an Image ‘in the Background’............................................ 11-1<br />

Fig. 11-2 Positioning an Image ‘in the Foreground’ ............................................ 11-2<br />

Fig. 11-3 Positioning an Image as a ‘Mixground Layer’ ..................................... 11-2<br />

Fig. 11-4 Modifying a ‘Mixground’ Image ........................................................... 11-3<br />

Fig. 11-5 Tints Positioned as Mixground Layers ................................................ 11-3<br />

Fig. 11-6 Overlapped Background Image (Example).......................................... 11-4<br />

Fig. 11-7 Enlarging a Background Image Behind its Mask ................................. 11-5<br />

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