ORIS PDF Tuner Version 4.4.8 User Manual - image2output - Support

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Figures
Fig. 17-4 ‘Matrix’ Tab (‘Transparency, Trapping, Soft Edges’ Dialog) ................ 17-4
Fig. 17-5 Transferring 20% from Cyan to Black ................................................. 17-6
Fig. 17-6 Keeping 75% ‘Background’ Black and Substituting the Rest by 50% of
‘Foreground’ Cyan ............................................................................... 17-6
Fig. 17-7 Converting Layer Colors to Grayscales .............................................. 17-6
Fig. 17-8 ‘Linework Transparency’ Tab of ‘Transparency...’ Dialog.................... 17-6
Fig. 17-9 ‘Soft Edges’ Tab of ‘Transparency, Trapping...’ Dialog ..................... 17-10
Fig. 17-10 Position of Soft Edges ..................................................................... 17-12
Fig. 18-1 ‘Trapping’ Tab (‘Transparency, Trapping, Soft Edges’ Dialog) ........... 18-2
Fig. 18-2 Illustration of Trapping Modes ............................................................ 18-4
Fig. 18-3 ‘Linework Trapping’ Tab (‘Transparency, Trapping...’ Dialog) ............ 18-5
Fig. 19-1 ‘Transformations’ Toolbar ................................................................... 19-1
Fig. 19-2 Resize handles (left) and rotation handles (right) ............................... 19-4
Fig. 19-3 Resize Handles.................................................................................... 19-7
Fig. 19-4 Using Rotation Handles ..................................................................... 19-10
Fig. 19-5 Distorting Perspectively (Examples) .................................................. 19-12
Fig. 19-6 Indication of Fixed Point .................................................................... 19-15
Fig. 19-7 Distorting with Four Points (Example) ............................................... 19-17
Fig. 19-8 ‘P1/P4’ Toolbar .................................................................................. 19-18
Fig. 19-9 Transferring Transformations to a Cut-out (Example) ...................... 19-21
Fig. 20-1 ORIS PDF Tuner Image Overview ...................................................... 20-3
Fig. 20-2 List of Images in Image Overview ....................................................... 20-7
Fig. 20-3 ‘Copy Image’ Dialog........................................................................... 20-12
Fig. 20-4 ‘TIFF Options’ Dialog ......................................................................... 20-14
Fig. 20-5 ‘EPS Options’ Dialog ......................................................................... 20-16
Fig. 20-6 ‘JPEG Options’ Dialog ....................................................................... 20-18
Fig. 21-1 Vector Mask Created with Path Editor and Placed on Layout ............ 21-1
Fig. 21-2 Pixel Masks, 1-bit (left) and 8-bit (right) .............................................. 21-2
Fig. 21-3 ‘Paint Masks’ Dialog ........................................................................... 21-4
Fig. 22-1 ‘Mask Administration’ Dialog ............................................................... 22-2
Fig. 22-2 Resize Handles and ‘Transformations’ Toolbar .................................. 22-7
Fig. 23-1 ‘Retouch’ Dialog .................................................................................. 23-2
Fig. 23-2 Copying Pixels from Source to Target Cursor ..................................... 23-4
Fig. 23-3 Creating Gradients Between two Colors.............................................. 23-5
Fig. 23-4 Adding Image Background (Example) ............................................... 23-13
Fig. 23-5 Special Image Effect with Transparent Gradient .............................. 23-15
Fig. 24-1 Color Probe.......................................................................................... 24-3
Fig. 24-2 Color Saturation Reduced (left) and Increased (right) ........................ 24-4
Fig. 24-3 STATUS Window for Color Separation Manipulations........................... 24-5
Fig. 24-4 List of Stored Color Transformation Settings .................................... 24-11
Fig. 25-1 Explanation of ‘Color Gradation’ Window (‘Spline’ Mode) ................... 25-2
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