13.12.2012 Aufrufe

DAGA 2010 - Deutsche Gesellschaft für Akustik eV

DAGA 2010 - Deutsche Gesellschaft für Akustik eV

DAGA 2010 - Deutsche Gesellschaft für Akustik eV

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Programm <strong>DAGA</strong> <strong>2010</strong> 73<br />

lokal vorherrschende Tempo eines Musikstückes beschreiben, Segmente<br />

mit homogenem Tempo bestimmt werden. Des Weiteren zeigen wir,<br />

wie diese Segmentierung als sinnvolle Ergänzung zu vorherigen Verfahren,<br />

die eine Segmentierung hinsichtlich der Klangfarbe oder Harmonie<br />

eines Musikstückes vollziehen, eingesetzt werden kann.<br />

Di. 17:00 Grashof C 24 Music Processing I<br />

Drumloop Separation using adaptive Spectrogram Templates<br />

C. Dittmar, J. Abeßer und D. Gärtner<br />

Fraunhofer IDMT<br />

The separation of single drumsounds from drumloops is a desirable signal<br />

processing functionality with a wide variety of applications in music<br />

production and music video games. Since recognition of the distinct<br />

drumsounds is a pre-requisite for separation, the detection of onsets and<br />

instrument types is necessary. Although machine-learning based classification<br />

of isolated drumsounds has been proven do be feasible, it is not<br />

applicable to the problem of drumloop separation. The main challenge<br />

is the strong overlap of drumsound spectra when two or more drumsounds<br />

share the same onset-time. It leads to erroneous estimation of the<br />

involved instruments, e.g., a tom and a hi-hat appearing simultaneously<br />

could easily be misclassified as being a snare. Different approaches<br />

have been proposed in the literature to overcome that problem, mainly<br />

template matching vs. decomposition based methods. We pursue the<br />

approach of template matching, but without the need for any prior assumption<br />

about the involved instruments. A heuristic update rule for the<br />

templates is described as well as an expectation maximization approach<br />

to the final thresholding. The quality of separation is evaluated with artificially<br />

generated as well as real drumloops. The transcription is tested<br />

against manually annotated excerpts from commercially available music<br />

recordings.<br />

Di. 17:25 Grashof C 24 Music Processing I<br />

Estimating Similarity of Musical Rhythm Patterns through the use<br />

of a Neural Network Model<br />

A. Fouloulis a , G. Papadelis b , K. Pastiadis b und G. Papanikolaou a<br />

a Aristotle University of Thessaloniki, Electrical & Computer Eng.;<br />

b Aristotle University of Thessaloniki, Dept. of Music Studies<br />

Assessment of musical aptitude in young children usually includes the<br />

task of rhythm copying, where the child is asked to tap a short rhythm<br />

pattern after listening to it. Evaluation of performance accuracy on this<br />

task is based on indices of similarity between the stimulus and the performed<br />

pattern, which may result either from mathematical ”distance metrics”<br />

or, alternatively, from ratings provided by experienced musicians in<br />

pair wise comparison tasks.<br />

In this work we present the architecture of a system containing two artificial<br />

neural networks in cascade - a self-organizing neural network (called

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