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Translation Universals.pdf - ymerleksi - home

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56 Silvia Bernardini and Federico Zanettin<br />

the core depending on the priorities of each study. This is a welcome feature<br />

since, as we shall suggest below, the consciousness-raising function of corpus<br />

design and building is crucial if one is to avoid gross over-generalisations and<br />

misconceptions in using the corpus.<br />

3.2 Preliminary norms 2: fiction<br />

A second set of observations relates to the more subtle issue of the operation<br />

of preliminary norms in the selection of fiction texts. If the criteria adopted<br />

for selection are only those suggested by Baker (1995, above) and generally<br />

used in monolingual comparable corpus design – i.e. domain, language variety<br />

and time span – the result is hardly a comparable corpus, as the following lists<br />

illustrate:<br />

First 20 fiction titles randomly selected from the Index <strong>Translation</strong>um database<br />

(from English into Italian)<br />

1. Asimov, The best science fiction of I. Asimov<br />

2. Atwood, The handmaid’s tale<br />

3. Christie, The underdog and other stories<br />

4. Collins, Rock star<br />

5. Dick, The three stigmata of Palmer Eldritch<br />

6. Garfield, The paladin<br />

7. Garrett, Too many magicians<br />

8. Greene, Shades of Greene<br />

9. Heller, Catch 22<br />

10. Jong, Fear of flying<br />

11. Koontz, Strangers<br />

12. Le Carré, The secret pilgrim<br />

13. Le Carré, Tinker, tailor, soldier, spy<br />

14. McCarthy, How I grew<br />

15. Smith, The angels weep<br />

16. Smith, When the lion feeds<br />

17. Stone, Blizzard<br />

18. Strieber & Kunetka, Warday<br />

19. Suyin, The enchantress<br />

20. Van Lustbader, Zero

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